Features
Location ADR: A Moveable Feast
It’s not only the “when” of ADR that is being re-examined, but also the “how” and “where.” […]
Features
Features
Editors Have the Write Stuff: Guild Members Transition into Authors
Editors Guild members sometimes need to exercise their storytelling talents and share their insights on their craft in the print medium in addition to the audio- visual. This year to date, four books have been published by members of the Guild about their work. […]
Features
Driving that Train: Editorial Engineers Power ‘Polar Express’
During production for ‘The Polar Express’ Multiple creative processes, including editing, storyboarding, writing and designing, were occurring simultaneously. […]
Features
El Sonido de ‘Narcos’
Scheduled to unveil on September 2 in its 10-episode entirety, Season 2 of Netflix’s hit series Narcos is expected to prove as popular as the initial offering — and probably will be viewed in extended binge-watching sessions […]
Features
The Ultra Challenge of Digitally Editing An Ultra Wide Film
Among the challenges of creating The Hateful Eight in “glorious 70mm,” as filmmaker Quentin Tarantino described it in his original screenplay, was the fact that it required an overall post workflow that was highly irregular in many respects — both a throwback to an earlier era and extremely complex at the same time. […]
Features
Love of Labor: Marvin Davis Knows Well the Power of a Union
Marvin Davis should have become a union organizer. Davis, a Field Representative in the Hollywood office of the Editors Guild, retired in February after a long and rewarding career in the film industry. […]
Features
The First Independent: An interview with Legendary Sound Editor Kay Rose Part 1
Kay Rose’s approach to sound editing has always been through story. […]
Features
Mixing the French Way: Working on ‘Le Divorce’ in Paris
I recently traveled to Paris to mix ‘Le Divorce’. […]
Features
Terry Rawlings: The ‘Phantom’ Hand Behind Great Movies
Rawlings discussed his career in a telephone conversation with CineMontage. […]
Features
What’d I Say: Paul Hirsch Riffs on ‘Ray’ with Norman Hollyn
On November 18, Paul Hirsch and I sat down for an interview. […]
