
Elia Kazan’s ‘Splendor In The Grass’ (1961)
‘Splendor in the Grass’ is visually sensual. […]
‘Splendor in the Grass’ is visually sensual. […]
“Seamless” is the term supervising sound editor Chic Ciccolini uses to describe the working method of Hanley and Hill. […]
The same loyalty that they give him, Ron Howard gives back in trust, respect and collaboration. […]
James Blakeley, the legendary and highly respected film editor looks forward to driving 10 minutes to the office every work day; and he thoroughly enjoys editing film with 79-year-old Rudolpho (Rudy) Freeman. […]
CineMontage asked him about his upcoming feature, Looking for ‘Comedy in the Muslim World’, as well as his involvement in the editing process and his working relationship with editor Anita Brandt Burgoyne. […]
Jim Jarmusch sat down with CineMontage to discuss his long-term collaborative relationship with editor Jay Rabinowitz, their work on the new film and his rather unconventional approach to film editing. […]
Editor, Barry Alexander Brown was invaluable to Spike Lee and Mira Nair because he thought like a filmmaker and anticipated their decisions.
An interview with HBO documentary editor Geof Bartz […]
The Kinetophone was the ancestor of a steady line of emerging technologies-film, recording, reproduction and amplification-that through trial and error would converge to create the technology of optical, monaural sound. […]
CineMontage spoke to half a dozen editors working on this season’s leading episodic dramas, and reality shows to find out what their challenges are. […]
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