Thirty-five years ago, our colleagues at the prestigious film journal Film Comment in New York published a special 24-page section celebrating film editors — “Prime Cut” — which appeared in its March-April 1977 issue. […]
Editor Li-Shin Yu has become an expert on the American experience. […]
CineMontage spoke with Michael Kahn, in his editing bay in the Howard Hawks building at 20th Century Fox, about ‘Munich’, and his 30-year working relationship with Spielberg. […]
The Vitagraph Studio was the veritable cradle of the film industry. […]
While overseeing the mix of ‘Dreamgirls’ at Todd-AO West in Santa Monica, California, writer/director Bill Condon spoke with CineMontage. […]
Ginny Katz is a pleasure to work with, and her warm and generous spirit characterizes her friendships just as her distinctive talent marks every cut of her films. […]
The job of the story analyst goes way beyond reading a script. […]
CineMontage recently visited Pulcini in his New York editing suite. […]
Picture editors Erik Ewers and Tricia Reidy are an integral part of Florentine Films’ post-production team. […]
Stephanie Lowry provides a roadmap to some of the issues being dealt with by the rank and file music editors. […]
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