Features
Robert Wise: “As the Editor, You’re the Audience.”
An interview with Robert Wise. Courtesy of Film Comment. […]
Features
Features
‘Film Comment’s’ Top 75 Picture Editors
Thirty-five years ago, our colleagues at the prestigious film journal Film Comment in New York published a special 24-page section celebrating film editors — “Prime Cut” — which appeared in its March-April 1977 issue. […]
Features
The Americanization of Li-Shin Yu
Editor Li-Shin Yu has become an expert on the American experience. […]
Features
‘Munich’, Mentoring & Moviolas The Michael Kahn Interview
CineMontage spoke with Michael Kahn, in his editing bay in the Howard Hawks building at 20th Century Fox, about ‘Munich’, and his 30-year working relationship with Spielberg. […]
Features
Original Vitagraph Studio Enters Its Second Century
The Vitagraph Studio was the veritable cradle of the film industry. […]
Features
Conversation with a Dream-maker: Bill Condon
While overseeing the mix of ‘Dreamgirls’ at Todd-AO West in Santa Monica, California, writer/director Bill Condon spoke with CineMontage. […]
Features
Virginia Katz’s Dream Job
Ginny Katz is a pleasure to work with, and her warm and generous spirit characterizes her friendships just as her distinctive talent marks every cut of her films. […]
Features
Read On!: Story Analysts Strive for More Recognition
The job of the story analyst goes way beyond reading a script. […]
Features
The Hyphenate Diaries: Robert Pulcini Edits, Writes and Directs with His Wife
CineMontage recently visited Pulcini in his New York editing suite. […]
Features
Florentine Editors Came Up Through the Ranks
Picture editors Erik Ewers and Tricia Reidy are an integral part of Florentine Films’ post-production team. […]
