Robert Florio Has Cut 100 Episodes of the Cbs Hit ‘Ncis: Los Angeles.’ ‘I Wish I Had Gotten Into Series Many Years Earlier,’ Says the Onetime Indie-Movie Gofer. […]
“There has been in recent years a growing and unreasonable pressure, and an increasingly unrealistic workload, put upon many of our members in the classifications we represent. All of this caused a gradual erosion of what used to be a rewarding, creative, and enviable industry.” […]
“If I can make people watching it nervous and just a little uncomfortable, that could be something really cool.” […]
“Hope is a discipline,” I heard a legendary voice declare not long ago. Yes, hope is a discipline. But might it also be a contagion? […]
“Yellowstone” is a show about land: who it once belonged to, who it belongs to now, who it might one day belong to. […]
It’s Not All About the Kick to the Crotch. […]
Ai is expanding choices for voice and dialogue manipulation in post-production. But what are the risks? […]
The show, which made vivid use of contemporary Los Angeles locations and consistently tackled tough topics, premiered in 2016 and wrapped up last fall after five acclaimed seasons. […]
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]
Filmmaking is evolving into a parallel editing process. […]
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