Web Exclusives
David Jancsó Talks Editing ‘The Brutalist’ and Working with Actor-Directors
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
Web Exclusives
Web Exclusives
Nick Emerson Talks Editing Ralph Fiennes in Papal Drama ‘Conclave’
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
Web Exclusives
Adam Gough: ‘Disclaimer’ Editor Speaks Out on Alfonso Cuarón’s Latest Opus
“We did get a studio note saying that maybe, to avoid any confusion, we should put a location and date stamp when we go to each scene. I didn’t like this idea and fought against it.” […]
2025
Cut to Black: Did You Know? Matthew A. Cherry
African American Steering Committee this year would like to take note of some of its rich history featuring notable creatives, […]
2025
Cut to Black: Did You Know? Marian Rogers Croak Ph.D
African American Steering Committee this year would like to take note of some of its rich history featuring notable creatives, […]
Web Exclusives
WHAT OUR MEMBERS DO: Tana Plaengprawat, Assistant Editor
“It happened by chance. Editing wasn’t always a clear passion for me.” […]
Board of Directors
Guild Elections: Five Newcomers to Join 2025 Board of Directors
By Guild Staff Five newcomers will join the 2025 Board of Directors for the Motion Picture Editors Guild, according […]
Web Exclusives
Celia Beasley on Finding the Right Edits for Netflix Wilderness Drama ‘Penelope’
By Patrick Z McGavin The French-American picture editor Celia Beasley is a rebel who likes to cut against […]
Guild
Local 700 Taps Scott George As New National Executive Director
by Guild Staff The Board of Directors of the Motion Picture Editors Guild, Local 700 of IATSE, has voted to […]
Web Exclusives
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
