What Our Members Do: Brad Engleking
“I mix and supervise feature films and episodic television. Since I live in a smaller market with limited union opportunities, I also work as a music editor on some movies.” […]
“I mix and supervise feature films and episodic television. Since I live in a smaller market with limited union opportunities, I also work as a music editor on some movies.” […]
On January 31 at the Sportsmen’s Lodge in Studio City, a joint AES/SMPTE meeting will showcase the intricate sound editorial and re-recording of the Netflix miniseries ‘Stranger Things’. […]
CineMontage recently attended a screening of Patriots Day, followed by a panel of major below-the-line craftspeople, including picture editor Colby Parker, Jr, ACE; re-recording mixer, sound designer and supervising sound editor Dror Mohar; and sound designer and supervising sound editor Piero Mura. […]
It is a late Friday afternoon in November and the post-production crew is carefully refining the soundtrack for a scene from Reel 6 of director Morten Tyldum’s Passengers. […]
On a Sunday morning in mid-September the Dede Allen Seminar Room at the Motion Picture Editors Guild’s Los Angeles offices was the setting for Break the Ice, the first roundtable discussion meeting open to the Guild membership, organized by the Guild’s Diversity Committee. […]
CineMontage chatted with the editorial team of Stranger Things and discovered interesting strategies they brought into the cutting room — like D&D dice and a lava lamp. […]
Outgoing Motion Picture Editors Guild National Executive Director Ron Kutak celebrated his retirement on September 17 at Cicada, a restaurant and architectural landmark in downtown Los Angeles. […]
Motion Picture Editors Guild members and their families enjoyed a fun day at Calamigos Ranch at the LA Equestrian Center in Burbank on Saturday, September 10, for the Guild’s Sixth Annual “Post” Labor Day Picnic. […]
Philip Roth’s American Pastoral was published in 1997 and won the Pulitzer Prize for Fiction the following year. The film adaptation, from a screenplay by John Romano, directed by and starring Ewan McGregor, with editing by Melissa Kent and sound editing supervision by Christopher S. Aud, premiered September 9 at the Toronto International Film Festival and opened in limited release October 21. […]
Maryann Brandon, ACE, and Mary Jo Markey, ACE, spoke about their collaboration with director J.J. Abrams, and how he has incredible trust in his editors, giving them the time and space to shape the film in the cutting room. […]
©2016-2021 Motion Picture Editors Guild