Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’ […]
Picture editor Maryann Brandon, ACE, and sound editor/sound designer/re-recording mixer Ai-Ling Lee have accepted invitations to join the Science and Technology Council of the Academy of Motion Picture Arts and Sciences. […]
Editors Guild members filled the Dede Allen Seminar Room at the Guild’s LA offices on Saturday morning, October 14 for the Art of Mentoring, presented by the Diversity Committee’s African-American Steering Committee. […]
Our union has long been an advocate of respectful workplace behavior, and its leadership strongly believes that members are absolutely entitled to work in a safe environment free from hostility and discrimination. […]
“I try to make creative choices that will align as closely as possible with the writer’s and director’s intentions, trusting my instincts and personal tastes as my guiding principles.” […]
Colorist Mark Wilkins has a message for audiences: Think twice before believing everything you see on TV. […]
My job is to make my editor happy. Sometimes it means doing temp sound work, and sometimes it means getting her oatmeal. […]
The New York’s Governor’s Office of Motion Picture and Television Development (MPTV) announced a milestone with 400 applications received in the state’s film and television post-production tax credit program. […]
We’re having a General Membership meeting on Wednesday, October 11, at 7:30 p.m. at both the Guild’s Los Angeles and New York offices. […]
As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE). […]
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