2017 Survey — Who We Are
Last year, the Editors Guild’s Diversity Committee sent out its first survey to gather preliminary information about the Local 700 membership. […]
Last year, the Editors Guild’s Diversity Committee sent out its first survey to gather preliminary information about the Local 700 membership. […]
The Motion Picture Editors Guild will honor member Lillian E. Benson, ACE, with its prestigious Fellowship and Service Award on Saturday, April 8, 2017 at a dinner at the Sheraton Universal Hotel. […]
In post-production, I conform the music to any picture changes. On the mix stage, I deliver the full music Pro Tools session to the re-recording mixer, and then serve as an ambassador for the music. […]
The 2017 Academy Award nominations for Best Achievement in Film Editing in 2016 offer a full array of vital work in five different movie genres: a haunting science fiction fantasy, a war story with an atypical hero, a really contemporary crime western, a Hollywood musical of Los Angeles itself, and an honest, inner-city coming-of-age drama. […]
On January 24, the Academy of Motion Picture Arts and Sciences revealed its list of nominees for the 2017 Oscars. The sound editing teams behind Arrival, Deepwater Horizon, Hacksaw Ridge, La La Land, and Sully were all nominated. CineMontage spoke to these sound editors about the challenges and highlights of working on their respective movies. […]
The 89th Academy Awards nominees in the Best Sound Mixing category cover a broad cross section of films, ranging from the story of an alien invasion to betrayal in Libya, through a harrowing WWII battle, musical fun in the Big Orange and a pan-galactic escapade. […]
“I mix and supervise feature films and episodic television. Since I live in a smaller market with limited union opportunities, I also work as a music editor on some movies.” […]
On January 31 at the Sportsmen’s Lodge in Studio City, a joint AES/SMPTE meeting will showcase the intricate sound editorial and re-recording of the Netflix miniseries ‘Stranger Things’. […]
CineMontage recently attended a screening of Patriots Day, followed by a panel of major below-the-line craftspeople, including picture editor Colby Parker, Jr, ACE; re-recording mixer, sound designer and supervising sound editor Dror Mohar; and sound designer and supervising sound editor Piero Mura. […]
It is a late Friday afternoon in November and the post-production crew is carefully refining the soundtrack for a scene from Reel 6 of director Morten Tyldum’s Passengers. […]
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