“Fran likes to talk. You just ask her a question and she can go on for 15 minutes. And part of the answer will not appear related to the question in any way.” […]
Pilar Palomero’s coming-of-age story The Girls took home the top prizes, including best picture, at the 35th annual Goya Awards on Saturday. Spain’s annual awards show, hosted by Antonio Banderas, also saw Palomero’s drama win […]
“So many of the scenes, especially seeing them come to life in the dailies, were these explosions of memory.” […]
Mondshein was a longtime collaborator of legendary filmmaker Sidney Lumet, who, as the New York-based, Academy Award-nominated editor tells it, was persuaded that few things in cinema were as fascinating as a well-timed close-up. […]
It’s bittersweet seeing the movie released into the world, knowing that it might never see a wide release in theatres. But in the end, where you see it doesn’t matter as much as who you see it with. There’s nothing like getting lost in a movie with your loved ones and forgetting about the real world for 90 minutes, and I think “The Witches” fits the bill perfectly. […]
Robert Jones, the esteemed film editor who shaped such classics as Guess Who’s Coming to Dinner, Love Story, The Last Detail and Bound for Glory and shared a screenplay Oscar for Coming Home, has died. Jones died Monday at his home […]
By Patrick Z. McGavin A sensation at the Sundance Film festival in January, Radha Blank’s “The Forty-Year-Old Version” was […]
“All I want from a director is trust. Without that, there isn’t the foundation for a mutual relationship that allows you to be creative.” […]
One critic has likened the film to director Ramón Menéndez’s “Stand and Deliver” (1988), in which a teacher successfully inspires his dropout-prone students to learn calculus. […]
“It’s such a privileged thing to take the leap from assistant editor.” […]
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