
Terilyn Shropshire Talks About Editing and How to Find the Right Moment in Coverage
“With digital everything comes to you. That means you have a lot more to look at, a lot more to assess.” […]
“With digital everything comes to you. That means you have a lot more to look at, a lot more to assess.” […]
The Pandemic has Forced Parents in Post Careers to be More Resourceful than Ever […]
“I’ve never worked for awards and wouldn’t ever imagine that it would be possible.” […]
“Bobby is the kind of guy who could do just about anything,” one colleague says. […]
by A.J. Catoline “I have to pinch myself at times,” said picture editor James D. Wilcox, ACE. Wilcox has good […]
“Working with Charlie, there are many layers. He is so great at understanding the process.” […]
Whether it’s revisiting a historical event or amplifying the confusion emanating from a lead actor, each of this year’s Oscar-nominated film editors was faced with unique challenges to make their stories work. For Sound of Metal, it was […]
Ken Burns did it. So did Michael Moore. But a lot of documentary filmmakers don’t go union. Is that about to change? […]
“Fran likes to talk. You just ask her a question and she can go on for 15 minutes. And part of the answer will not appear related to the question in any way.” […]
Pilar Palomero’s coming-of-age story The Girls took home the top prizes, including best picture, at the 35th annual Goya Awards on Saturday. Spain’s annual awards show, hosted by Antonio Banderas, also saw Palomero’s drama win […]
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