Columns
Take a Ride to the Jersey Side
While New York offers a 15 percent tax credit to qualifying productions, New Jersey tops it with a 20 percent tax credit. […]
Film History
Book Reviews
Attack of the Killer Bs
Da Capo has given us ‘The B List’ with film critics’ picks and observations about “low-budget beauties, genre-bending mavericks and cult classics.” […]
Book Reviews
Film Editing: The Art of the Expressive
‘Film Editing: The Art of the Expressive’ by Valerie Orpen is a highly theoretical examination of editing as an essential but greatly misunderstood aspect of motion picture production. […]
This Quarter in Film History
A ‘Lion’ For All Seasons
‘The Lion in Winter’ is probably one of the few perennially popular films from 1968. […]
Tail Pop
Jacques Tati’s ‘Playtime’
Comedy, as they say, is all in the timing. Therefore, a comic’s best friend has got to be the film editor. But how does one become a good comedy editor? First, I believe, a person must have a natural instinct for what’s funny. […]
This Quarter in Film History
Fruitless ‘Aran’
Documentarian Robert J. Flaherty was regarded by the poet e.e. cummings as “a god among men,” an opinion echoed by Orson Welles, who compared Flaherty to the poets Walt Whitman and Henry David Thoreau. […]
Tail Pop
Ridley Scott’s ‘Blade Runner’
I was quite late to the game in discovering my love of cinema. I grew up on a steady diet of Tom and Jerry, old sci-fi shows and MTV videos. […]
Tail Pop
Mervyn LeRoy’s ‘The Wizard of Oz’
Fantasy has had a rather schizophrenic time in Hollywood––one year being the worst possible genre to pour money into unless it’s going straight to video, the next year sweeping the Academy Awards with 11 Oscars. […]
This Quarter in Film History
Vive le Francois!
In 1959, the Nouvelle Vague, or New Wave, revolutionized the concept of film editing and scene construction in international film. […]
This Quarter in Film History
THIS MONTH IN FILM HISTORY:
Miloš’ Mozartifacts
Miloš Forman has focused on one theme: How society grinds down the individual and is basically corrupt and hypocritical. […]
