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Fruitless ‘Aran’
Documentarian Robert J. Flaherty was regarded by the poet e.e. cummings as “a god among men,” an opinion echoed by Orson Welles, who compared Flaherty to the poets Walt Whitman and Henry David Thoreau. […]
Documentarian Robert J. Flaherty was regarded by the poet e.e. cummings as “a god among men,” an opinion echoed by Orson Welles, who compared Flaherty to the poets Walt Whitman and Henry David Thoreau. […]
I was quite late to the game in discovering my love of cinema. I grew up on a steady diet of Tom and Jerry, old sci-fi shows and MTV videos. […]
Fantasy has had a rather schizophrenic time in Hollywood––one year being the worst possible genre to pour money into unless it’s going straight to video, the next year sweeping the Academy Awards with 11 Oscars. […]
In 1959, the Nouvelle Vague, or New Wave, revolutionized the concept of film editing and scene construction in international film. […]
Miloš Forman has focused on one theme: How society grinds down the individual and is basically corrupt and hypocritical. […]
Why David O. Selznick feared a tombstone epitaph as the man who made Gone with the Wind (1939) is mysterious. This film was his Tara as much as it was Miss Scarlett’s. […]
My father, the late actor/director Ray Danton, was a gifted man. He was handsome, had a baritone voice, stood over six feet and weighed a chiseled 190 pounds in his prime. […]
Starring Dustin Hoffman and Tom Cruise, Rain Man opened 21 years ago this December. It made a lot of money and won a lot of awards, including the Academy Award for Best Picture. […]
La Dolce Vita. For 50 years, since the Federico Fellini movie was released in January 1960, those three words have been synonymous with delicious deca- dence among a jet-set mix of expatriate movie stars, high-society types and jaded Italian aristocrats based around Rome. […]
Viera’s fine history provides an insightful look into this legendary producer. […]
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