The three filmmakers recently convened to discuss the concepts and the process behind the making of this film, as well as its relationship to the craft of editing. […]
Most recent award victors queried actually admitted, that if you’re good at what you do, you’ll get work––award winner or not. […]
Over 30 different editors were interviewed during the preparation for this book. The authors state that a wider appreciation of the critical role of editing in film production is long overdue. […]
Bruce Green feels that this mentorship was the key to his successful career and hopes that all editors and assistants take enough of an interest in someone to mentor him or her. […]
‘Cut To The Chase’ is one of the very best anecdotal histories of filmmaking in print. […]
“Let the editor do his job and cut it first before you come in.” Michael BerenBaum’s advice for directors […]
People ask me how I got started in music editing. To be honest, it was a total fluke. […]
Those of us gathered in the audience on this early November evening did not need an introduction to the guest of honor sitting among us: the editor, Dede Allen, ACE. […]
Ken Burns has always acknowledged the large part Paul Barnes, his chief picture editor, has played in the smooth operation and artistic prominence of Florentine Films. […]
by Robin Rowe One of the biggest challenges for assistant editor David Bilow––Joe Hutshing’s right-hand man––in the post-production work on Lions […]
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