Features
Discovering the Story: A Fireside Chat with Arthur Schmidt
Arthur Schmidt described how his approach to editing has varied. […]
Film
Features
Peter Honess & Frank Urioste: Two Long-Time Friends Part 1
Frank Urioste and Peter Honess talk about their films, their careers and the changes they’ve seen in the business.
Features
Superman’s Pals: Even Action Heroes Need Assistants
‘Superman Returns’s team of assistant editors, led by Liza Espinas-Regnier, had their hands full, getting this show onto the screen.
Features
Action’s Angels: The Superheroines of The Cutting Room
The real superheroes of these films can be found not only behind the scenes, but below the line. In the editing suites, for instance. […]
Features
COATES of Many Colors: The Varied Career of Anne V. Coates
“I try to cut every film I do with a fresh eye; I don’t go with a pattern or anything. I just read it, assimilate it and cut it.” – Anne V. Coates […]
Features
The Power & the Story: The Screenplay’s the Thing for Story Analysts
There is a measure of power to the job of story analyst. […]
Letters to the Editor
Moviolas Memories, Snapshot of the Past and more…
Letters from our readers regarding the ‘Moviola Mavens’, 1930’s editing, and documentary editing. […]
Letters to the Editor
Van Dongen’s Dutch Touch and Footsteps for the Maestro
Letters from our readers regarding ‘The Grande Dame of Documentary’ and ‘Blow-Up’ […]
This Quarter in Film History
A Photographic Memory
After 40 years, this manifesto of the emerging baby-boomer generation still holds its mystique. […]
Letters to the Editor
LETTERS TO THE EDITOR: ‘Hud’ Sucker
Letters from our readers concerning our article on ‘Hud’ as well as issues regarding documentary editing awards. […]
