Thelma Schoonmaker Talks of Editing, Aging, and Endings in Martin Scorsese’s ‘The Irishman’
“You never know what is going to happen when you put two pieces of film together.” […]
“You never know what is going to happen when you put two pieces of film together.” […]
“The pilot was the foundation. We had to find the tone.” […]
“If the story is good and the characters are good, then the movie is going to be good.” […]
“It was possible to create a Mexican cinema with our own actors and our own stories, without having to photograph gringos.” […]
“We were bouncing ideas off each other, and picking up the cuts of each other.” […]
“We had different noir films that were our touchstones, like ‘Chinatown’ in particular.” […]
“We wanted to do something different, not just from Batman, but from all comic-based films.” […]
“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.” […]
“There were a few dance moves that made my jaw drop.” […]
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