Web Exclusives
Jennifer Lame Talks About Editing the Breakup of Adam Driver and Scarlett Johansson in ‘Marriage Story’
“If the story is good and the characters are good, then the movie is going to be good.” […]
Picture Editors
Columns
How Emilio Fernández’s Classic ‘Enamorada’ Boosted Mexican Cinema
“It was possible to create a Mexican cinema with our own actors and our own stories, without having to photograph gringos.” […]
Web Exclusives
Monica Salazar and Dominic LaPerriere Unpack the ‘Unusual’ Editing Process Behind Shia LaBeouf’s ‘Honey Boy’
“We were bouncing ideas off each other, and picking up the cuts of each other.” […]
Web Exclusives
Oscar-Nominated Editor Joe Klotz Talks About Bringing It All Back Home in ‘Motherless Brooklyn’
“We had different noir films that were our touchstones, like ‘Chinatown’ in particular.” […]
Web Exclusives
Web Exclusives
Jeff Groth on Editing Joaquin Phoenix in ‘Joker’: ‘He Was Free to Experiment, So He Did’
“We wanted to do something different, not just from Batman, but from all comic-based films.” […]
Web Exclusives
Tom Eagles on Editing Taika Waititi’s ‘Bonkers’ Hitler Movie ‘Jojo Rabbit:’ The ‘Tone Was a Tightrope Walk From the Start’
“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.” […]
Web Exclusives
Kayla Emter On Editing Club Scenes, Chopin Music and J-Lo’s Sexy Pole Dance in Lorene Scafaria’s ‘Hustlers’
“There were a few dance moves that made my jaw drop.” […]
Web Exclusives
Kirk Baxter Talks About Methods and Madness in Editing Netflix’s ‘Mindhunter’
“I am trying to outgrow the part where you loathe yourself until you like the scene.” […]
Web Exclusives
John Axelrad and Lee Haugen Take Editing Voyage into Deep Space with Brad Pitt in James Gray’s ‘Ad Astra’
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.” […]
