Web Exclusives
Editors of ‘Jury Duty’ On How They Kept Order in the Court for Amazon’s Reality Series
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
Picture Editors
Web Exclusives
Saira Haider Talks Editing on Netflix’s Conspiracy Mystery ‘They Cloned Tyrone’
“I didn’t go to film school with a background in filmmaking at all. I’d never cut anything together. When I got into the editing room, I realized that this was where I was going to learn the most.” […]
What Our Members Do
WHAT OUR MEMBERS DO: Andrew Ralston, Picture Editor
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
Web Exclusives
Garret Donnelly and Geofrey Hildrew On Cutting the Opioid Epic ‘Painkiller’
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
Web Exclusives
Jamie Kennedy Talks about Editing Amazon’s ‘The Summer I Turned Pretty’
“I think my passion shone through and that’s how I wound up working on Season One.” […]
Web Exclusives
Franklin Peterson and Chloe Domont Talk Editing on Netflix Thriller ‘Fair Play’
“This is one of those things where you read it and it just works in a number of ways.” […]
Features
The Editors Behind ‘The Masked Singer’ Can’t Disguise Their Passion for the Unscripted Hit
“It’s a show that requires many elements, from graphics to sound design, and since the schedule is a bit tight from the recording moment to air day, the editors of the main show are divided between even and odd episodes. But as the weeks go by, we become one team.” […]
Web Exclusives
Picture Editors of ‘Fatal Attraction’ on Updating a Classic Thriller for Modern Times
“Here was this grand opportunity to work with a majority female crew in terms of the top positions: majority female directors, a female showrunner, and majority women in post.” […]
Web Exclusives
Three-Time Emmy Nominee Angel Gamboa Bryant On Editing Comedy for Wanda Sykes, Mel Brooks
By Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career […]
Web Exclusives
‘Extremely Demanding’: William Friedkin’s Editors Remember the Oscar-Winning Director
“He didn’t like cuts being in predictable places. In other words, one of the things that you often strive for in editing is to make the editing disappear: somebody finishes the line and the next person speaks, and you cut to it right away. Billy was always most interested in making unpredictable cuts that, in his mind, were better.” […]
