Features
A Tribute to Ralph E. Winters in Memoriam
The Editors Guild lost its oldest active member granted a 50-year honorary status, Ralph E. Winters. […]
Picture Editors
Features
Advice When Cutting Overseas
We spoke to several world-class cutters who provide some specific tips on how to make the experience of editing abroad as headache-free as possible. […]
Features
Post-Production Keeps ’24’ Ticking Like Clockwork
’24’ is a sterling example of collaboration in action. […]
Features
The Droid Olympics: When Editing was a Competitive Sport
The friendly spirit of camaraderie and community combined with an excitement about the art and craft of film, reached its epitome in the Droid Olympics. […]
Features
Hanley & Hill: Howard’s Editing Tag-Team
“Seamless” is the term supervising sound editor Chic Ciccolini uses to describe the working method of Hanley and Hill. […]
Features
Far and Away a Great Collaborator: Ron Howard Knows How to Treat His Crew
The same loyalty that they give him, Ron Howard gives back in trust, respect and collaboration. […]
Features
From the Golden Age to the Golden Years: James Blakeley & Rudy Freeman
James Blakeley, the legendary and highly respected film editor looks forward to driving 10 minutes to the office every work day; and he thoroughly enjoys editing film with 79-year-old Rudolpho (Rudy) Freeman. […]
Features
Post Modern Romance: Albert Brooks Played an Editor and Loves the Process
CineMontage asked him about his upcoming feature, Looking for ‘Comedy in the Muslim World’, as well as his involvement in the editing process and his working relationship with editor Anita Brandt Burgoyne. […]
Features
Stranger Than Paradox: The Unusual Filmmaking Practices of Jim Jarmusch
Jim Jarmusch sat down with CineMontage to discuss his long-term collaborative relationship with editor Jay Rabinowitz, their work on the new film and his rather unconventional approach to film editing. […]
Features
Spike Lee’s ‘Inside Man’ Barry Alexander Brown
Editor, Barry Alexander Brown was invaluable to Spike Lee and Mira Nair because he thought like a filmmaker and anticipated their decisions.
