
Robert Wise: “As the Editor, You’re the Audience.”
An interview with Robert Wise. Courtesy of Film Comment. […]
An interview with Robert Wise. Courtesy of Film Comment. […]
Thirty-five years ago, our colleagues at the prestigious film journal Film Comment in New York published a special 24-page section celebrating film editors — “Prime Cut” — which appeared in its March-April 1977 issue. […]
Editor Li-Shin Yu has become an expert on the American experience. […]
CineMontage spoke with Michael Kahn, in his editing bay in the Howard Hawks building at 20th Century Fox, about ‘Munich’, and his 30-year working relationship with Spielberg. […]
The Editors Guild’s Membership Outreach Committee is looking for members in good standing to be instructors in the Master Class program and share their knowledge and experience with the younger generation of our membership. […]
While overseeing the mix of ‘Dreamgirls’ at Todd-AO West in Santa Monica, California, writer/director Bill Condon spoke with CineMontage. […]
Ginny Katz is a pleasure to work with, and her warm and generous spirit characterizes her friendships just as her distinctive talent marks every cut of her films. […]
After seeing ‘The Graduate’, I realized that movies could be an art form. […]
CineMontage recently visited Pulcini in his New York editing suite. […]
Picture editors Erik Ewers and Tricia Reidy are an integral part of Florentine Films’ post-production team. […]
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