Features
Editing For Entertainment Value: Geof Bartz Discusses HBO’s Documentaries
An interview with HBO documentary editor Geof Bartz […]
Picture Editors
Features
No Wincing Allowed: Dede Allen, the Director’s Editor
Dede Allen recently spoke to CineMontage about her career and philosophy. […]
Features
Robert Wise: “As the Editor, You’re the Audience.”
An interview with Robert Wise. Courtesy of Film Comment. […]
Features
‘Film Comment’s’ Top 75 Picture Editors
Thirty-five years ago, our colleagues at the prestigious film journal Film Comment in New York published a special 24-page section celebrating film editors — “Prime Cut” — which appeared in its March-April 1977 issue. […]
Features
The Americanization of Li-Shin Yu
Editor Li-Shin Yu has become an expert on the American experience. […]
Features
‘Munich’, Mentoring & Moviolas The Michael Kahn Interview
CineMontage spoke with Michael Kahn, in his editing bay in the Howard Hawks building at 20th Century Fox, about ‘Munich’, and his 30-year working relationship with Spielberg. […]
Guild
Guild Seeks Members to Teach Master Classes
The Editors Guild’s Membership Outreach Committee is looking for members in good standing to be instructors in the Master Class program and share their knowledge and experience with the younger generation of our membership. […]
Features
Conversation with a Dream-maker: Bill Condon
While overseeing the mix of ‘Dreamgirls’ at Todd-AO West in Santa Monica, California, writer/director Bill Condon spoke with CineMontage. […]
Features
Virginia Katz’s Dream Job
Ginny Katz is a pleasure to work with, and her warm and generous spirit characterizes her friendships just as her distinctive talent marks every cut of her films. […]
Tail Pop
Mike Nichols’ ‘The Graduate’ (1967)
After seeing ‘The Graduate’, I realized that movies could be an art form. […]
