
An Animated Discussion of Editing
The panel featured two picture editors whose credits include some of the most popular animation/stop motion films of recent times: Jeff Draheim, ACE, and Edie Ichioka, ACE. […]
The panel featured two picture editors whose credits include some of the most popular animation/stop motion films of recent times: Jeff Draheim, ACE, and Edie Ichioka, ACE. […]
Two decades ago, Steve Jobs famously took back his company. Part of the legend goes that when he came back to Apple Computers (now just Apple) he drew on a white board a grid of four quadrants. […]
There probably isn’t a more iconic 20th century figure than Albert Einstein, given that his scientific work literally changed the course of world history and how humans view the universe. […]
The Motion Picture Editors Guild will honor member Lillian E. Benson, ACE, with its prestigious Fellowship and Service Award on Saturday, April 8, 2017 at a dinner at the Sheraton Universal Hotel. […]
There’s a joyous moment in director Martin Scorsese’s Hugo, opening November 23 from Paramount Pictures, when Sir Ben Kingsley–– portraying the pioneering French filmmaker Georges Méliès (1902’s A Trip to the Moon)—performs a magi- cal feat onstage to thunderous applause. It’s but a brief glimpse into a forgotten past. […]
The 2017 Academy Award nominations for Best Achievement in Film Editing in 2016 offer a full array of vital work in five different movie genres: a haunting science fiction fantasy, a war story with an atypical hero, a really contemporary crime western, a Hollywood musical of Los Angeles itself, and an honest, inner-city coming-of-age drama. […]
A change in movie storytelling and editing was already under way when French film critic and soon-to-be film director Alexandre Astruc wrote these words in an article in the magazine Écran Français in 1948. […]
To those who knew him best, film editor Philip Cahn, who was born June 18, 1894, in New York City, was not a rabble-rousing sort. […]
In a way, Ben Lewis, one of the three founding members of the Society of Motion Picture Film Editors (SMPFE) — now the Motion Picture Editors Guild — was the quintessential company man, working 45 of his 52 years in the cutting room at Metro-Goldwyn-Mayer. […]
As soon as the MAY-JUN 12 issue of CineMontage — featuring “The 75 Best Edited Films” as selected by Editors Guild members — arrived in mailboxes, readers’ comments immediately ensued: Why was (insert title of your favorite film here) not included? […]
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