Featured Stories
The Beat Goes On: Jillinda Palmer on the Joys and Challenges of Music Editing
By Kristin Marguerite Doidge Film music should be felt and not necessarily heard. That’s one of the central tenets music […]
Sound
Web Exclusives
WHAT OUR MEMBERS DO: Paul Hackner, Z-2 (Sound Effects or Dialogue Editor)/ Y-1 (Re-Recording Mixer)
“My main advice is to form bonds with your colleagues and mentors. Ask questions, stay in touch, and be vulnerable.” […]
Web Exclusives
WHAT OUR MEMBERS DO: Anthony Cappellino, Sound Editor
“It can be scary to think about the state of the industry and the livelihood of the professionals in it, but my instinct has always been to lean on the community and to have solidarity in the face of that uncertainty.” […]
Web Exclusives
WHAT OUR MEMBERS DO: Emily Yang, Y-9 Recordist & Mix Tech
“I have always been drawn to storytelling through various mediums, whether it’s through sound or visual media. It was during my time at Berklee College of Music that I delved deeper into the intricate soundscape of film and animation.” […]
Cover Story
Sounds Funny: All the Sound-Team Secrets Behind ‘Only Murders In The Building’
Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke. […]
Features
Epic Sounds: How the ‘Shōgun’ Team Captured the Elegance of 17th Century Feudal Japan
“Everything about this series strived to be authentic.” […]
Features
WHAT OUR MEMBERS DO: Jessey Drake, MPSE, Sound Editor
“I would love to do some immersive-type sound design or sound editorial for a Disney attraction. That’s been a lifelong dream of mine.”
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Web Exclusives
‘The Jinx’ Redux: Picture Editor Shelby Siegel Recalls Finding the Audio That Sealed the Fate of Robert Durst
“Not every project will have a smoking gun, but you won’t find it if you’re not allowed to look.” […]
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
Features
Veteran Composer and Music Editor Shie Rozow Talks About His New Book Aimed at Pros and Fans Alike
“Over the years, I noticed that many aspiring and novice filmmakers, as well as composers, music editors, and music supervisors recognize the need for music but struggle with figuring out where and how to use music in their productions.” […]
