By Kristin Marguerite Doidge Emmy-nominated Re-recording Mixers Penny Harold and Andy Lange are coming off their most creatively […]
By Kristin Marguerite Doidge Film music should be felt and not necessarily heard. That’s one of the central tenets music […]
“My main advice is to form bonds with your colleagues and mentors. Ask questions, stay in touch, and be vulnerable.” […]
“It can be scary to think about the state of the industry and the livelihood of the professionals in it, but my instinct has always been to lean on the community and to have solidarity in the face of that uncertainty.” […]
“I have always been drawn to storytelling through various mediums, whether it’s through sound or visual media. It was during my time at Berklee College of Music that I delved deeper into the intricate soundscape of film and animation.” […]
Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke. […]
“Everything about this series strived to be authentic.” […]
“I would love to do some immersive-type sound design or sound editorial for a Disney attraction. That’s been a lifelong dream of mine.”
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“Not every project will have a smoking gun, but you won’t find it if you’re not allowed to look.” […]
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
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