“Over the years, I noticed that many aspiring and novice filmmakers, as well as composers, music editors, and music supervisors recognize the need for music but struggle with figuring out where and how to use music in their productions.” […]
AUGUST 15, 1922 — JANUARY 2, 2024 A renaissance man. A gentleman. A portrait in dignity. This is how Academy […]
“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’” […]
By Mel Lambert The nominees in the Best Sound category at this year’s Academy Awards represent an array of […]
“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.” […]
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
“We do one thing, we do sound.” […]
“I have always been fascinated with sound in films.” […]
By Jennifer Walden Have you heard? Audiences are complaining about unintelligible dialogue in non-theatrical content on their TVs, about […]
“Olivia loved low-frequency sounds.” […]
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