Past Production: How the ‘Maestro’ Team Recreated the Music – and Marriage – of Leonard Bernstein
“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’” […]
“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’” […]
By Mel Lambert The nominees in the Best Sound category at this year’s Academy Awards represent an array of […]
“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.” […]
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
“We do one thing, we do sound.” […]
“I have always been fascinated with sound in films.” […]
By Jennifer Walden Have you heard? Audiences are complaining about unintelligible dialogue in non-theatrical content on their TVs, about […]
“Olivia loved low-frequency sounds.” […]
There certainly have been growing pains in the transition to remote editing, but it’s becoming easier to embrace this workflow as the process evolves. […]
“I was just searching for accordions in my library.”
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