‘Post Proud’ is the story of bold brothers and sisters whose pride in their craft, pride in themselves, and commitment to one another empowered them to make dramatic change in their working lives. […]
Our union is a power-puncher capable of landing knockout blows early in a fight, and we also have the stamina to take hits and keep swinging into the late rounds. […]
Let’s cut from our usual close-ups of Local 700 organizing to a wide shot of the state of the American labor movement. […]
We need to embrace a radical inclusivity if we are to expand our movement enough to make it relevant, vital and potentially victorious. […]
In its campaign to organize non-union employers, the Editors Guild has many tools and tactics. In some instances, employees withhold their labor in order to convince non-union employers to agree to union deals. […]
When we fight and win, we do so not because we have statutes or courts on our side, but because we have the extralegal strength that comes from steadfast solidarity among co-workers. […]
Where they have been enacted, “Right to Work” laws discourage union membership. Their object was, and remains, the evisceration of organized labor. […]
Almost two years ago, I met a lot of new friends and reconnected with many old ones walking the picket line in support of the striking crew of Shahs of Sunset. That strike afforded plenty of […]
In early October of this year, a group of employees at Leftfield Entertainment, a large reality television production company in New York, faced such a choice, set more or less explicitly in just such terms. And, only a few weeks earlier, the employees of Deluxe Culver City, an LA-area post-production facility, made effectively the same choice themselves, albeit not as explicitly framed. […]
What makes you a Guild member? Is it principally about a transaction, the remittance of quarterly payments for membership? Or is it about your relationship to your colleagues, […]
©2016-2021 Motion Picture Editors Guild
