Richard Marks: ACE 2013 Career Achievement Award Honoree
It was the news that the American Cinema Editors (ACE) had selected him for a Career Achievement Award that prompted Richard Marks to revisit his life’s work. […]
It was the news that the American Cinema Editors (ACE) had selected him for a Career Achievement Award that prompted Richard Marks to revisit his life’s work. […]
Released in 1964, director Robert Stevenson’s original ‘Mary Poppins,’ starring Julie Andrews, Dick Van Dyke, David Tomlinson and Glynis Johns, set a benchmark in the Walt Disney Studios canon of full-energy musicals. […]
On their first film as co-editors, Joi McMillon, ACE, and Nat Sanders, ACE, made a name for themselves in the independent filmmaking world with the runaway indie hit ‘Moonlight’ (2016), as did their writer-director, Barry Jenkins. […]
Although they are still in the frenzy of the final mix in early October, co-music editors Paul Rabjohns and J.J. George somehow find time to usher a visitor onto a Warner Bros. mixing stage to discuss their one-year-plus adventure editing the music track for a new superhero epic, James Wan’s ‘Aquaman.’ […]
Few directors were more familiar with the pleasures and perils of film editing than Orson Welles. […]
In a year that’s featured contentious debates over the #MeToo movement, ‘On the Basis of Sex,’ which opens on Christmas Day, is the most timely holiday present imaginable. […]
When Lee Dichter, CAS, was informed that he would receive the Motion Picture Editors Guild’s 2018 Fellowship and Service Award, it did not take long for the veteran sound re-recording mixer to accept. […]
Orson Welles was looking forward to editing ‘The Other Side of the Wind.’ In 1970, before he had even begun shooting what became his now-fabled unfinished (until this year) film, Welles discussed his post-production plans in a conversation with his friend, actor-director-writer Peter Bogdanovich. […]
As a teenager growing up in West London in the UK, Joe Walker, ACE, had two interests: music and film. He was in bands, wrote music and mucked about with his parents’ 8mm film gear. […]
Despite being buried under various deadlines while cutting ‘The Orville,’ Seth MacFarlane’s sci-fi dramedy series that has its second season premiere in December on Fox, the show’s core editorial team still found time recently to convey the zeitgeist of what they consider to be an exceptionally collaborative editing room. […]
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