‘John Wick 4’ Post Team Talks About the Pleasures (and Sometimes the Pain) of the Action Hit
By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
“We do one thing, we do sound.” […]
“We both came to this with a lot of fear and anxiety about how to accomplish all of this technical wizardry.” […]
“It may be the hardest movie I’ve ever worked on.” […]
The 75 Best Edited Films’ years of release range from the 1920s to the 2010s — with 3 titles each in both of those decades. Most of the films cited are from the 1970s (17), followed by the ‘90s (16), the ‘60s (13), the ‘50s (8), the ‘00s (7), the ‘80s (5) and the ‘40s (3). Curiously, there were no films chosen from the 1930s. […]
“You never get used to receiving news of an Oscar nomination.” […]
“Olivia loved low-frequency sounds.” […]
“I was just searching for accordions in my library.”
[…]
“What I found challenging and what required a journey was to find the sound of Pinocchio. Let’s start with wood, so you bang pieces of wood together and you go, ‘Well that doesn’t work.'” […]
The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]
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