Cinema Paradiso in San Diego
You’d think my path to joining the Editors Guild would be a predictable journey: attend film school, pursue an internship in post-production, get in the union, win awards. But I didn’t go that route. […]
You’d think my path to joining the Editors Guild would be a predictable journey: attend film school, pursue an internship in post-production, get in the union, win awards. But I didn’t go that route. […]
These courageous editors found a way to hold together a majority and vote for the Guild. […]
Good analysts know that stepping outside of themselves to examine a script from a different point-of-view is key in writing a complete analysis of the potential project. […]
Jim Jarmusch sat down with CineMontage to discuss his long-term collaborative relationship with editor Jay Rabinowitz, their work on the new film and his rather unconventional approach to film editing. […]
One of the joys of working in theatrical professions is the episodic nature one’s life can take, Editor Jay Rabinowitz, ACE, is one who has had this experience in spades. […]
After a decade of editing films at Spike Lee’s 40 Acres and a Mule, Leander Sales decided to instruct others in the craft. […]
Perhaps more than any other genre, editing plays a crucial role in documentary storytelling and shaping of the narrative. […]
Editor, Barry Alexander Brown was invaluable to Spike Lee and Mira Nair because he thought like a filmmaker and anticipated their decisions.
Yep, it’s a comedy/sex/Western spoof with one-of-a-kind performances from Fonda and Lee Marvin. […]
Organizing in Reality television rounded a significant corner this summer. […]
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