The Power & the Story: The Screenplay’s the Thing for Story Analysts
There is a measure of power to the job of story analyst. […]
There is a measure of power to the job of story analyst. […]
For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients. […]
CineMontage asked him about his upcoming feature, Looking for ‘Comedy in the Muslim World’, as well as his involvement in the editing process and his working relationship with editor Anita Brandt Burgoyne. […]
CineMontage sat down with Anita Brandt Burgoyne to talk about how she made the transition from assistant to TV to features and how her career led to working with Brooks.
In ‘Cut By Cut’, Chandler has set forth a supremely organized workflow chart for perfection of the craft on both the film and video platforms. […]
Technologically, this is a movie of many firsts. […]
The subject quickly turned to the question of how to best organize editors in reality television. […]
James Blakeley, the legendary and highly respected film editor looks forward to driving 10 minutes to the office every work day; and he thoroughly enjoys editing film with 79-year-old Rudolpho (Rudy) Freeman. […]
Only Richard Curtis seems capable of executing scripts that harken back to ‘The Philadelphia Story’s’ complexity. […]
The ‘Cinderella Man’ editorial crew all demonstrate a synchronization of minds as smooth as the high-tech machinery in front of them. […]
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