Frank Miller’s Sin City represents a new breed of digital filmmaking. It’s a practical example of what the 4:4:4 HD filmmaking revolution is about and its creation is a demonstration of the workflow that filmmakers use to create digital films of striking image quality. […]
This was a revelation. The idea that if you’re not careful, life can turn into one big “paper chase” from birth certificate to death certificate, was something I had never considered. […]
With the hiring of these two professionals, the organizing department is poised to make a huge step forward. […]
During production for ‘The Polar Express’ Multiple creative processes, including editing, storyboarding, writing and designing, were occurring simultaneously. […]
“Seamless” is the term supervising sound editor Chic Ciccolini uses to describe the working method of Hanley and Hill. […]
The same loyalty that they give him, Ron Howard gives back in trust, respect and collaboration. […]
With Mary Ann Doane’s highly theoretical meditation, the reader is challenged to reflect on the representation of time in film. […]
The networks and production companies are getting top dollar for advertising during Reality shows, yet most refuse to offer basic health insurance to their employees. […]
The friendly spirit of camaraderie and community combined with an excitement about the art and craft of film, reached its epitome in the Droid Olympics. […]
‘Splendor in the Grass’ is visually sensual. […]
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