Bruce Robinson’s WITHNAIL AND I (1987)
No doubt about it, this is a very funny film. But it is more than just the string of lunatic comedic moments; it also examines themes of friendship and growing up. […]
No doubt about it, this is a very funny film. But it is more than just the string of lunatic comedic moments; it also examines themes of friendship and growing up. […]
The expansion of digital filmmaking into HD and beyond has seen film become an anachronism, rather than a competitor or adjunct to digital. Many of the traditional assistant’s duties are being re-shaped or re-tasked. […]
While this fight has proven difficult and remains incomplete, there are encouraging lessons to take away from this job action as well. […]
CineMontage has turned to the Guild’s erudite, critical and scholarly branch––the story analysts––and asked them to venture deep inside their inner film geeks, to forget that their professional reputations could be at stake and to admit to the world––or at least to their fellow Guild members––what their favorite guilty pleasure movies are. […]
“I believe that movies are getting more and more complex visually, and the more visually complex they get, the more they have to rely on the sound to sell those visual effects.” – Kevin O’Connell […]
As a conductor leads an orchestra, and a composer creates ideas and sounds, so does a mixer. All the elements of dialogue, sound effects, music, creativity and technical ability coalesced as a career choice. My goal of sound for picture evolved. […]
Bernard Mendiburu’s book contains the requisite technical information about stereoscopic perception and its relation to cinema. […]
Beneath its seemingly innocuous appearance, the story attacks the very structure of our society… The audience recognized this. The truth is that they recognized themselves. […]
What truly makes Untold Stories a memorable event, however, are appearances from five artists––Paul Butterfield, Creedence Clearwater Revival, the Grateful Dead, Mountain and Johnny Winter––whose performances have never appeared in any of the previous film versions. […]
Re-recording mixers Kevin O’Connell and partner Beau Borders have been working tirelessly since last October on mixing Michael Mann’s period gangster crime drama Public Enemies. Mann’s passion for detail and authenticity has been the hallmark of the film’s sonic nuances, according to O’Connell. […]
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