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Home2024

Year: 2024

2024

Cut to Black: Daedra Carline, Assistant Editor

February 27, 2024

From Oregon to Hollywood, fueled by a love of Black history and Sci-fi. […]

2024

Cut to Black: Jayda Cardoza, Assistant Editor

February 26, 2024

“Black Panther: Wakanda Forever,” and her Full Circle moment […]

2024

Cut to Black: Did You Know? Willie D. Burton, Sound Mixer

February 24, 2024

This legend is an 8-time Oscar nominee for Best Sound, including this year’s “Oppenheimer,” who took home the statue twice. […]

2024

Cut to Black: Marvin Hudgens, Assistant Editor

February 23, 2024

The guy with the mohawk and endless knowledge of The Wire. […]

Awards

OSCARS 2024: Nominees for Best Sound Speak Out on ‘Oppenheimer,’ ‘Zone of Interest,’ and More

February 22, 2024

By Mel Lambert   The nominees in the Best Sound category at this year’s Academy Awards represent an array of […]

2024

Cut to Black: Dave Flynch, Supervising Sound Editor

February 22, 2024

He has an affinity for independent projects and whose mantra has been “be adaptable.” […]

In Memoriam

IN MEMORIAM: Mo Henry, Negative Cutter, 1956-2024

February 21, 2024

Henry died on January 14 at the age of 67 in Los Angeles, where she had lived her entire life. She is remembered among her many colleagues not just for her talent and professionalism, but her dedication to her craft. […]

2024

Cut to Black: Kaela Brown, Assistant Finishing Colorist

February 21, 2024

She hangs her coat at Marvel Studios as an assistant finishing colorist! […]

PHOTO: DEVERILL WEEKES
Features

CATHY’S COLUMN: After Years of Challenges, Solidarity Is More Vital Than Ever

February 20, 2024

I do hope that by the time you read this, production has restarted as we hoped it would earlier this year. Still, there is a lot of concern about what the volume of work will look like this year and into the future. Business models are changing and talk of mergers continues. […]

2024

Cut to Black: Tawan Bazemore, Colorist and Editor

February 20, 2024

He is captured by the mix of color and it’s emotional impact and narrative depth of a visual story. […]

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