
‘I Made Him Watch It’: Robert Nassau Explains the Edits on ‘A Real Pain’
“After the first day of shooting in Poland, Jesse called me in a panic, saying, ‘I can’t watch myself—I’m terrible. Everything’s terrible.'” […]
“After the first day of shooting in Poland, Jesse called me in a panic, saying, ‘I can’t watch myself—I’m terrible. Everything’s terrible.'” […]
“That first season, I barely saw her in the edit, and I thought, Am I doing this right?” […]
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
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