David Jancsó Talks Editing ‘The Brutalist’ and Working with Actor-Directors
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
“It is a performance-driven film so there’s nothing to hide behind.” […]
“In making a film, it is key to have a first-rate cinematographer and a first-rate editor,” Allen said. […]
©2016-2021 Motion Picture Editors Guild