Featured Stories
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
Articles by Rob Feld
Featured Stories
Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
Web Exclusives
‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
Web Exclusives
‘Presumed Innocent’ Editor Eleanor Infante On Trailers, Work Relationships and Listening Skills
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
Web Exclusives
Jamie Kirkpatrick, ‘Greedy People’ Editor, Talks Mentorship, Spielberg, and More
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
Web Exclusives
Amelia Allwarden: How Drive and an ACE Internship Led Her to a ‘Sunny’ Editing Career
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.” […]
Features
Hollywood Ending: Alisa Lepselter Cut What May – or May Not – Be Woody Allen’s Last Film, ‘Coup de Chance’
“In making a film, it is key to have a first-rate cinematographer and a first-rate editor,” Allen said. […]
Web Exclusives
Editors of ‘Jury Duty’ On How They Kept Order in the Court for Amazon’s Reality Series
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
Web Exclusives
Garret Donnelly and Geofrey Hildrew On Cutting the Opioid Epic ‘Painkiller’
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
