Web Exclusives
David Jancsó Talks Editing ‘The Brutalist’ and Working with Actor-Directors
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
Articles by Rob Feld
Web Exclusives
Nick Emerson Talks Editing Ralph Fiennes in Papal Drama ‘Conclave’
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.”
Web Exclusives
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.”
Web Exclusives
Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
Web Exclusives
‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’
Web Exclusives
‘Presumed Innocent’ Editor Eleanor Infante On Trailers, Work Relationships and Listening Skills
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive.
Web Exclusives
Jamie Kirkpatrick, ‘Greedy People’ Editor, Talks Mentorship, Spielberg, and More
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
Web Exclusives
Amelia Allwarden: How Drive and an ACE Internship Led Her to a ‘Sunny’ Editing Career
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.”
Features
Hollywood Ending: Alisa Lepselter Cut What May – or May Not – Be Woody Allen’s Last Film, ‘Coup de Chance’
“In making a film, it is key to have a first-rate cinematographer and a first-rate editor,” Allen said.
