
Cutting in Cinematic Time
With Mary Ann Doane’s highly theoretical meditation, the reader is challenged to reflect on the representation of time in film. […]
With Mary Ann Doane’s highly theoretical meditation, the reader is challenged to reflect on the representation of time in film. […]
In ‘Cut By Cut’, Chandler has set forth a supremely organized workflow chart for perfection of the craft on both the film and video platforms. […]
You’d think my path to joining the Editors Guild would be a predictable journey: attend film school, pursue an internship in post-production, get in the union, win awards. But I didn’t go that route. […]
It’s never acceptable to let people take advantage of our time, skills and talent. […]
Richard Pepperman examines the “great choices” that produce a great scene. […]
This whole career is a prime example of how important relationships and networking can be in our line of work. […]
Every few years, a motion picture editor should read this book to clear the field of view and refresh the vision about what the craft is all about. […]
Organizing non-union facilities is probably the hardest job we must do as a union. However, as members, we can all help to make the hardest part of organizing easier. […]
All of the opportunities that I’ve had as a Guild editor are blessings. And yet, I still feel like I’m just getting started… […]
I was thunderstruck. From the opening sequence, with Kane breathing, ‘Rosebud’ on his deathbed, to the final revelation of what that word meant, I was in its thrall. […]
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