
Tom Tykwer’s ‘Run Lola Run’
I grew up in Deep River in Northern Ontario, Canada in the 1970s, an idyllic place to live as far as catching frogs and running through the woods, but I didn’t get to see movies in the cinema very often. […]
I grew up in Deep River in Northern Ontario, Canada in the 1970s, an idyllic place to live as far as catching frogs and running through the woods, but I didn’t get to see movies in the cinema very often. […]
The title of Lawrence Weschler’s book, “Waves Passing in the Night: Walter Murch in the Land of the Astrophysicists,” is complex and slightly mysterious, fitting for an exploration into the mind of legendary picture editor, sound designer, sound editor, re-recording mixer, writer and director Walter Murch, ACE, CAS, MPSE. […]
If you’re a Pro Tools instructor, ‘Audio Production Basics With Pro Tools | First’ provides a guided, formal course of study that will turn beginners into Pro Tools engineers. […]
There was a time, in the 1980s in San Diego, when there weren’t any theatres that showed foreign, independent or avant-garde films except for one place: the Unicorn Theatre. […]
The blacklisting of Communists, former Communists, union supporters, socialists and people whose only agenda was to create films was a fact of life in the entertainment industry during the 1950s and 1960s. […]
After 90 years, the premiere of Sergei Eisenstein’s October on November 7, 1927 at Leningrad’s Bolshoi Theatre still endures as the most famous screening of an unparalleled motion picture epic that was never shown publicly in its entirety. […]
October 1978. A weekday afternoon in Manhattan. I stumble into daylight, having just experienced something which has so floored me that I’m numb, twisted around, and can’t remember which subway takes me back downtown — so I start walking, trying to make sense of what I’d just seen. […]
“The Storytellers Dilemma: Overcoming the Challenges in the Media Age” is meant for everyone who works in the media industries, whether in content creation, post-production finance or distribution. […]
In ‘The King of Comedy’ (1983), directed by Martin Scorsese from Newsweek film critic Paul D. Zimmerman’s script, fledgling comic Rupert Pupkin wants to be a star. Obsessed with celebrity itself, he emerges from the subculture of fandom to take a shot at fame by kidnapping late night talk show host Jerry Langford. […]
I have always been envious of those who came to the business because of their love and passion for films. I was born into the film industry and didn’t appreciate my proximity. […]
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