After 90 years, the premiere of Sergei Eisenstein’s October on November 7, 1927 at Leningrad’s Bolshoi Theatre still endures as the most famous screening of an unparalleled motion picture epic that was never shown publicly in its entirety. […]
October 1978. A weekday afternoon in Manhattan. I stumble into daylight, having just experienced something which has so floored me that I’m numb, twisted around, and can’t remember which subway takes me back downtown — so I start walking, trying to make sense of what I’d just seen. […]
“The Storytellers Dilemma: Overcoming the Challenges in the Media Age” is meant for everyone who works in the media industries, whether in content creation, post-production finance or distribution. […]
In ‘The King of Comedy’ (1983), directed by Martin Scorsese from Newsweek film critic Paul D. Zimmerman’s script, fledgling comic Rupert Pupkin wants to be a star. Obsessed with celebrity itself, he emerges from the subculture of fandom to take a shot at fame by kidnapping late night talk show host Jerry Langford. […]
I have always been envious of those who came to the business because of their love and passion for films. I was born into the film industry and didn’t appreciate my proximity. […]
I love movies and TV shows. I love watching them and I love making them. I always have, for as long as I can remember. My career as an editor would have been just about perfect if I could have slept my way to the top. Unfortunately, with my looks, I was destined for a more conventional approach. […]
After 40 years, this manifesto of the emerging baby-boomer generation still holds its mystique. […]
I was born on April 30, 1913, in Lone Wolf, Oklahoma. I’m 99 years old. I guess you’d say I’m old. Weightlifting for me is standing up… I’m so old they’ve discontinued my blood type… I can remember when the Dead Sea first got sick… Jokes, no matter their quality, should make you laugh. And laughter keeps you young. And I love to laugh. […]
‘The Inventor and the Tycoon’ is an engrossing book that could have been made sleeker and more significant. […]
The diversity of techniques and point of view in Roger Crittenden’s new book on European film editing is fairly astonishing. […]
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