“My job is to help make the editors’ day less hectic, so I assist them with graphics, sound work, and mostly technical problems that affect them. Sometimes an assistant editor gets the opportunity to edit a scene or two, but everything we do is to help the editor.” […]
Happily, there’s gold to be found on nearly every page of this engaging book. […]
When the audience first meets the grifter Tom Ripley in the eponymous new limited series drama, “Ripley,” he’s dragging a dead body down a long flight of stairs in the dark: clunk, clunk, clunk. The sinister moment draws us in — and somehow, seemingly makes us complicit in the crime. […]
‘I know first-hand how badly editors need to keep moving.’ […]
Click here for photos. […]
Now, all these months later, we have new contracts overwhelmingly ratified by members, which I am confident will improve pay and working conditions for our union members. More than 76% of Local 700 members voted, and of those, 92% voted to ratify the new contract. […]
Goldenberg’s C.V. covers a long list of projects, ranging from big-budget actioners like “6 Underground” (2019) and Michael Bay’s “Transformers” films to quieter dramas like “Unbroken” (2014) and “Seabiscuit” (2003). […]
“The episodes really came together in the edit. The two of them made that process really fun from beginning to end by taking risks, trying things, and crafting moments that weren’t necessarily obvious on the page.”
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Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke. […]
By Kristin Marguerite Doidge The critically-acclaimed AppleTV+ series “Masters of the Air” features compelling performances from each of its […]
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