Features
How the Post Team of ‘Fallout’ Went Back to the Future
By Jeff Sneider ♦ Photos by Francine Orr The ruthless world of “Fallout” offers a delicate balance of sonic bombast […]
Features
Cover Story
Reel Wellness: In a Time of Industry Turmoil, Post Veterans Need Time Out for Fitness
‘I know first-hand how badly editors need to keep moving.’ […]
Features
WHAT OUR MEMBERS DO: Drew Mixon, Assistant Editor
“My job is to help make the editors’ day less hectic, so I assist them with graphics, sound work, and mostly technical problems that affect them. Sometimes an assistant editor gets the opportunity to edit a scene or two, but everything we do is to help the editor.” […]
Book Reviews
BOOK REVIEW: A Trio of New Books Excavates Some Big Movies from the 1980s
Happily, there’s gold to be found on nearly every page of this engaging book. […]
Features
‘Ripley’s’ Editing Game: David Rogers and Joshua Raymond Lee Talk About the Elegant Netflix Hit
When the audience first meets the grifter Tom Ripley in the eponymous new limited series drama, “Ripley,” he’s dragging a dead body down a long flight of stairs in the dark: clunk, clunk, clunk. The sinister moment draws us in — and somehow, seemingly makes us complicit in the crime. […]
Features
RETIREES LUNCHEON: Photos from the Events in New York and Los Angeles
Click here for photos. […]
Features
CATHY’S COLUMN: After a Hard Fight, Some Words of Thanks for Those Who Stepped Up
Now, all these months later, we have new contracts overwhelmingly ratified by members, which I am confident will improve pay and working conditions for our union members. More than 76% of Local 700 members voted, and of those, 92% voted to ratify the new contract. […]
Features
A Brilliant Career: How William Goldenberg Became a Go-To Editor for Ben Affleck and Many Other Directors
Goldenberg’s C.V. covers a long list of projects, ranging from big-budget actioners like “6 Underground” (2019) and Michael Bay’s “Transformers” films to quieter dramas like “Unbroken” (2014) and “Seabiscuit” (2003). […]
Features
A Show Reborn: The Editors of ‘Chad’ on Finding the Funny in the Immigrant Dream
“The episodes really came together in the edit. The two of them made that process really fun from beginning to end by taking risks, trying things, and crafting moments that weren’t necessarily obvious on the page.”
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Cover Story
Sounds Funny: All the Sound-Team Secrets Behind ‘Only Murders In The Building’
Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke. […]
