Patrick McMahon, ACE, cut many horror/suspense projects, including the original, “A Nightmare On Elm Street.” He’s also edited seven pilots (five of which went to series) and documentaries including HBO’s Emmy Award-winning “Baghdad ER.” […]
‘In The Heights’ Offers an Emotional Experience – And the Post Team Had to Find Ways to Capture It. […]
This was strike three for me — three shows in a row shut down unexpectedly. Two pre-pandemic and now this. […]
How the all-men-of-color picture editing team on ‘queen sugar’ found healing in a challenging year […]
Forty years ago, the air-traffic controllers’ strike sent labor’s fortunes plummeting. Are the skies about to get friendlier for workers? […]
If you were fortunate enough to continue working, and you have families or loved ones with whom you live, remote work has blurred the lines between those two distinct parts of life, sometimes in uncomfortable ways.
[…]
AI technology (probably) isn’t the humanity-destroying rise of the machines that some fear—at least not in the world of post-production. It’s showing up all over the film industry, from helping to cast actors to achieving incredible visual effects transformations, like turning actor Josh Brolin into Thanos for “Avengers: Infinity War.” […]
What a Lost Union Drive Means for the Future of Labor Organizing […]
I grew up in a Long Island suburb among people about whom a friend once said, “If they can’t eat it or wear it, they don’t want it.” […]
A New Book Looks at the Tortured Creators – and Editing-Room Nightmare – Behind ‘Midnight Cowboy’ […]
©2016-2025 Motion Picture Editors Guild
