Sounds Like Family: How Skywalker Sound Has Helped Boost Women’s Careers
“The company believes that building diverse crews makes both good sense and is creatively beneficial.” […]
“The company believes that building diverse crews makes both good sense and is creatively beneficial.” […]
It always upset me that people felt that I needed to change in their eyes, that I was never good enough in my own skin or attire. My true identity was constantly challenged through the early years of my career. […]
The survey found that despite the publicity surrounding industrywide diversity efforts, gender and ethnic representation within the Guild itself has remained basically unchanged compared to four years ago. […]
The Pandemic has Forced Parents in Post Careers to be More Resourceful than Ever […]
WME HELPS POST-PRODUCTION CLIENTS ADAPT TO A WORLD WRACKED BY PANDEMIC AND ECONOMIC SHIFTS. […]
by A.J. Catoline “I have to pinch myself at times,” said picture editor James D. Wilcox, ACE. Wilcox has good […]
Picture editor Richard Pearson, A CE, did not set out to become a comedy specialist, an action guru, or a comic book connoisseur—but somehow, he has evolved into all three. […]
Here are some excerpts from our conversation with editors Nena Erb, ACE, and Daysha Broadway, assistant editors Lynarion Hubbard and Aric Lewis, and sound effects editor Michael Sana, MPSE. […]
“The main secrets are in the writing and the extremely talented cast.” […]
It was the late 1920s and Jack Foley was a producer, director and writer working at Universal Pictures at its old location on Ventura Boulevard in the San Fernando Valley. […]
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