Dede Allen discusses some of the new pressures that have affected editors, the increasing use of editors as film doctors and the changing hierarchy of the cutting room for assistants. […]
Carol Littleton offered her impressions of the format, and described the advantages and pitfalls she encountered. […]
Frank Urioste and Peter Honess talk about the movies most pivotal to their careers, the evolution of filmmaking and working in the executive suite. […]
Farrel Levy and Stan Salfas talk about television as a medium, why it can be fulfilling for an editor and how they nurture the work of their assistants. […]
Documentary editors talk about their craft, how they approach their work and the impact of new technology.
‘King Kong’ (1933) was a pioneering film in many ways, including post production. […]
The three filmmakers recently convened to discuss the concepts and the process behind the making of this film, as well as its relationship to the craft of editing. […]
Most recent award victors queried actually admitted, that if you’re good at what you do, you’ll get work––award winner or not. […]
After a decade of editing films at Spike Lee’s 40 Acres and a Mule, Leander Sales decided to instruct others in the craft. […]
Robert Wise was always a hard worker–whether he was lugging film cans, syncing up reels of sound, looking for that one particular shot to make a scene play, staying on budget, getting the best performance from an actor or any of the myriad other jobs and positions he filled in his 72 years in the industry. […]
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