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HomeFeatures

Features

Features

Troubleshooting Stars:
Sound Techs to the Rescue

January 1, 2009
Though their jobs run the gamut from low-tech to the highest levels of digital file management, they all have certain attributes in common: an ability to step into a variety of situations.

[…]

Features

Sound Trek:
The Audio Explorations of Ben Burtt

May 1, 2009
The crack of Indiana Jones’ whip, the roar of an Imperial TIE fighter, the hum and crackle of clashing lightsabers, the voice of Wall-E speaking through his circuitry… all can be traced to the same source: sound designer extraordinaire Ben Burtt.

[…]

Features

Goin’ Back Up the Country:
‘Woodstock’ Re-Revisited with Hours of Bonus Footage

July 1, 2009
What truly makes Untold Stories a memorable event, however, are appearances from five artists––Paul Butterfield, Creedence Clearwater Revival, the Grateful Dead, Mountain and Johnny Winter––whose performances have never appeared in any of the previous film versions.

[…]

Features

Mix Master: Kevin O’Connell’s Brilliant Sound Career

July 1, 2009
“I believe that movies are getting more and more complex visually, and the more visually complex they get, the more they have to rely on the sound to sell those visual effects.” – Kevin O’Connell

[…]

Features

‘Basterd’ Sounds:
Wylie Stateman and Harry Cohen

September 1, 2009
From hyper-real audio effects to vintage-sounding equipment, the sound in a Quentin Tarantino film is always distinctive. it has been the handiwork of supervising sound editor Wylie Stateman and sound designer Harry Cohen, MPSE.

[…]

Features

Leveraging a Career in Sound The ‘Artistry’ of Kenneth L. Johnson

November 1, 2009
Working on Leverage gave Kenneth L. Johnson his own leverage to push his own shop, Artistry in Sound, to the next level.

[…]

Features

Soundbender: The Aural Adventures of Randy Thom

July 1, 2010
This movie is a playground for sound,” says Randy Thom, CAS, referring to director M. Night Shyamalan’s latest film, The […]
Features

Transformative Mixer: Greg P. Russell Strives for a Well-Balanced Soundtrack

January 1, 2011
With some 190-plus films to his credit, not to mention 14 Academy Award nominations, it is perhaps hard to believe that such a seasoned re-recording mixers Greg P. Russell, CAS,got his start in a modest recording studio.

[…]

Features

What if There Was an Oscar for Best Music Editing?

March 1, 2011
Whether they selected films or not, the music editors voiced a range of opinions about whether an award for Best Music Editing was even a good idea.  Their perspectives on the question provided some insights into the nature of their work.

[…]

Features

EARLY TRAILBLAZERS

January 1, 2012
A compilation of early Oscar winning editors.

[…]

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