Features
Just Kidding: A Generation Later, ‘Parenthood’ Still Brings It All Back Home
Though we GenXers might look back on our favorite ’80s films with some chagrin, “Parenthood” (1989) holds up. […]
Features
Features
WHAT OUR MEMBERS DO: Jessey Drake, MPSE, Sound Editor
“I would love to do some immersive-type sound design or sound editorial for a Disney attraction. That’s been a lifelong dream of mine.”
[…]
Features
Carol’s Colleagues: Some Words from Her Admirers
A compilation of praises and memorable stories for award winning editor Carol Littleton. […]
Features
WHAT OUR MEMBERS DO: Ian Chase, Sound Editor/Re-Recording Mixer
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.” […]
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
Features
Veteran Composer and Music Editor Shie Rozow Talks About His New Book Aimed at Pros and Fans Alike
“Over the years, I noticed that many aspiring and novice filmmakers, as well as composers, music editors, and music supervisors recognize the need for music but struggle with figuring out where and how to use music in their productions.” […]
Features
IN MEMORIAM: Peter Berkos, Sound Effects Editor, 1922-2024
AUGUST 15, 1922 — JANUARY 2, 2024 A renaissance man. A gentleman. A portrait in dignity. This is how Academy […]
Cover Story
Jedi Masters: Editors of ‘Ahsoka’ Raise Their Lightsabers to the Latest Chapter of ‘Star Wars’ Mythology
“I’ve watched the ‘Star Wars’ films in the past and recognize the famous characters, but didn’t know much beyond that. So coming into this big galaxy was both exciting and new to me.” […]
Behind the Scenes
Kevin Tent Explains the Editing Process Behind Alexander Payne’s ‘The Holdovers’
“The Holdovers,” set over Christmas vacation in 1970 at a New England boarding school for boys, is the bittersweet portrait of complicated relationships among a grumpy teacher with a troubled past (Paul Giamatti), his callow student (Dominic Sessa) and a long-suffering dining-hall cook (Da’Vine Joy Randolph). Tent talked about editing for tone, tempo and rhythm, as well as his efforts on behalf of picture editors as the president of ACE. […]
