Features
Editors Finally Get Their Close-Up: Alan Heim on ‘The Cutting Edge’
CineMontage recently caught up with Alan Heim to ask him about ‘The Cutting Edge’. […]
Features
Features
Creating a Monster in the Cutting Room: David Zieff Strives for Honesty in Metallica Doc
“Nobody really had a sense of where the movie was going at the beginning. It was more a matter of putting together the things that felt right.” – David Zieff […]
Features
Hollywood’s Renaissance Man
Robert Wise was truly a renaissance man of filmmaking. […]
Features
Post Codes from the Edge: Canadian Doc Celebrates Art of Editing
Despite its “below-the-line” status, the craft of editing is emerging to claim its recognition as an essential role in the creation of the motion picture. […]
Features
Canned Music Production Libraries for TV Are Now Calling the Tune
The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business. […]
Features
Blue, Gray and Read All Over: Jay Wertz and ‘The Civil War Experience’
Jay Wertz has created a lavish and richly detailed combination of words and pictures exploring every major event of what has often been called the first modern war. […]
Features
A Stand-Up Guy
And so began my new life as a stand-up editor. […]
Features
Big Sound, Small Budget: Sonically Recreating the Sixties for ‘Bobby’
What comes through in ‘Bobby’, from start to finish, is the trueness of all the performances and the passion that went into making it. […]
Features
‘Charlotte’s Web’ Spinners: Editorial Team Weaves an Anthropomorphic Menagerie
Paramount Pictures released this new Charlotte’s Web on December 15, just in time for the holidays. […]
Features
When Hollywood Rocked: Pop Music and Movies Weren’t a Perfect Match at First
The initial rock ‘n’ roll films produced in the mid-1950s are more interesting today as artifacts than as art. […]
