Features
Byte Club: David Fincher on Digital Filmmaking and ‘Zodiac’
David Fincher spoke with CineMontage about ‘Zodiac’. […]
Features
Features
Film Editors Forum
A group of Editors discuss what makes good editing […]
Features
Features
Prime Cut: The Work of the Film Editor
To help us celebrate the 70th anniversary of the Motion Picture Editors Guild, our colleagues at the prestigious film journal Film Comment in New York have allowed us to reprint copy from their special 24-page section celebrating film editors […]
Features
Like Mother, Like Son: Tom Fleischman Joined the Family Business
CineMontage spoke with Tom Fleischman about his mother (Dede Allen) and what he learned from her. […]
Features
Primary Colors: Telecine Technology May Change, But True Colorists Adapt
CineMontage spoke to a handful of Los Angeles-based colorists to get a picture of what telecine was, how technology has transformed it, and how they see their role in the color correction suite. […]
Features
Improv Ability: For Tass Filipos, It’s as Vital for Music Editors as It Is for Musicians
Tass Filipos tells CineMontage about his experience as a music editor.
Features
Tales from the Vault: Guild Librarians’ Stock is Rising
Hollywood’s oldest studio’s stock footage library came into existence in the mid-1920s. For the majors, whether or not to develop a stock footage library has always been a business decision. […]
Features
The Fixers: The Buck Stops with Engineers
Guild engineers are self-admitted gearheads who just plain love to fix things. […]
Features
Smooth Operators: QC and Tape Ops Adjust for the Digital Age
Watching movies and TV shows all day––and getting paid for it–– sounds like a dream job, but it’s serious work for quality control and videotape operators. Both are technical jobs, but the digital age has morphed them into a way more creative and challenging endeavor. […]
