Making Visual Music: an Interview with Walter Murch
Joseph “Jay” Duerr’s interview with Walter Murch. […]
Joseph “Jay” Duerr’s interview with Walter Murch. […]
Frank Miller’s Sin City represents a new breed of digital filmmaking. It’s a practical example of what the 4:4:4 HD filmmaking revolution is about and its creation is a demonstration of the workflow that filmmakers use to create digital films of striking image quality. […]
The ‘Cinderella Man’ editorial crew all demonstrate a synchronization of minds as smooth as the high-tech machinery in front of them. […]
Technologically, this is a movie of many firsts. […]
For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients. […]
One of the joys of working in theatrical professions is the episodic nature one’s life can take, Editor Jay Rabinowitz, ACE, is one who has had this experience in spades. […]
Harry must grapple with a giant, fire-breathing Hungarian Horntail dragon and battle underwater demons in the Black Lake. Post-production was no less daunting. […]
Droidmaker takes the reader inside the early years of Lucasfilm’s computer division. George Lucas foresaw a time when film would be replaced by a digital, high-resolution alternative that was neither film nor video. […]
During the Golden Age of Hollywood, Louis B. Mayer, Darryl F. Zanuck and Cecil B. De Mille were powerful enough to determine who would work in the American film industry. […]
Steve Mirkovich and Allen Daviau talk about problems with previews and video dailies, the longevity of 35mm film, changes in editorial styles and more.
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