Features - - Page 38

Pictures and Music: Richard Chew and Curt Sobel Part 1

September 1, 2002

In this conversation, Richard Chew and Curt Sobel talk in detail about the process of music editing and how they’ve worked together to tell a story with music. […]

Editors & Assistants – A Status Report Guild Mentoring Seminar

September 1, 2002

The job of the assistant editor has changed substantially over the last decade. […]

Mixing in England

November 1, 2002

CineMontage interviewed Gerry Humphrey in his office at Twickenham Film Studios where he is the sound director, and where he has worked since 1963. […]

Picture and Music: Richard Chew and Curt Sobel Part 2

November 1, 2002

Film editor Richard Chew and music editor Curt Sobel talk about how digital technology has affected their jobs, the recent trend toward shortened schedules, the difference between tracking and working with a composer, and more. […]

Assistant Roundtable: Camera & Editing Build Bridge Between Production & Post

January 1, 2003

Assistant Editors and Camera Assistants discuss issues such as career advancement, technological developments and the future of the industry as they see it. […]

Roll, Cut, Print

January 1, 2004

Production mixer Chris Munro, sound editor Victoria Rose Sampson and re-recording mixer Leslie Shatz share their different points of view about sound. […]

Making Visual Music: an Interview with Walter Murch

May 1, 2004

Joseph “Jay” Duerr’s interview with Walter Murch. […]

Digital Desperado: Robert Rodriguez’s HD Noir

May 1, 2005

Frank Miller’s Sin City represents a new breed of digital filmmaking. It’s a practical example of what the 4:4:4 HD filmmaking revolution is about and its creation is a demonstration of the workflow that filmmakers use to create digital films of striking image quality. […]