Features
‘Fringe’ First Responder Pilot Editor Russ Denove
Russ Denove spoke to CineMontage briefly and reflected on editing the ‘Fringe’ pilot. […]
Features
Features
Editing on the ‘Fringe’ New Series Offers More Storytelling Time
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work. […]
Features
A Tribute to Ralph E. Winters in Memoriam
The Editors Guild lost its oldest active member granted a 50-year honorary status, Ralph E. Winters. […]
Features
Advice When Cutting Overseas
We spoke to several world-class cutters who provide some specific tips on how to make the experience of editing abroad as headache-free as possible. […]
Features
‘WILLIAM FRIEDKIN: Films of Aberration, Obsession and Reality’ a review
Director William Friedkin, by virtue of ‘The Exorcist’ and ‘The French Connection’, was one of the pantheon of 70’s directors. […]
Features
Post-Production Keeps ’24’ Ticking Like Clockwork
’24’ is a sterling example of collaboration in action. […]
Features
George Lucas’ ‘Star Wars’ (1977)
I’m convinced that ‘Star Wars’ has caused more people to enter the film industry than any other motion picture in history. And I’m one of them. […]
Features
The Droid Olympics: When Editing was a Competitive Sport
The friendly spirit of camaraderie and community combined with an excitement about the art and craft of film, reached its epitome in the Droid Olympics. […]
Features
Elia Kazan’s ‘Splendor In The Grass’ (1961)
‘Splendor in the Grass’ is visually sensual. […]
Features
Hanley & Hill: Howard’s Editing Tag-Team
“Seamless” is the term supervising sound editor Chic Ciccolini uses to describe the working method of Hanley and Hill. […]
