
Discovering the Story: A Fireside Chat with Arthur Schmidt
Arthur Schmidt described how his approach to editing has varied. […]
Arthur Schmidt described how his approach to editing has varied. […]
Frank Urioste and Peter Honess talk about their films, their careers and the changes they’ve seen in the business.
Farrel Levy and Stan Salfas talk about how a television series is put together, how editing has prepared them to be effective directors and how working in television has made it easier to balance work and family. […]
‘Superman Returns’s team of assistant editors, led by Liza Espinas-Regnier, had their hands full, getting this show onto the screen.
The real superheroes of these films can be found not only behind the scenes, but below the line. In the editing suites, for instance. […]
In this conversation, re-recording mixers Larry Blake, Michael Minkler, and Myron Nettinga as well as supervising sound editor Mark Mangini, offer sharply differing views about the future of sound post production and why they work the way they do. […]
Sound editor and mixer Larry Blake, supervising sound editor Mark Mangini, and re-recording mixers Michael Minkler and Myron Nettinga talk frankly about the blending of sound mixing and sound editing. […]
“I try to cut every film I do with a fresh eye; I don’t go with a pattern or anything. I just read it, assimilate it and cut it.” – Anne V. Coates […]
There is a measure of power to the job of story analyst. […]
For those who love documentary and know the many values that editing brings to a film, van Dongen deserves to be celebrated now, and always. […]
©2016-2025 Motion Picture Editors Guild