The universe of the USS Enterprise was alive with sound, Much of that was due to the singular vision of writer/producer Gene Roddenberry, along with the inventiveness of Douglas H. Grindstaff, who served as the show’s supervising sound effects editor for the entire 80-episode run. […]
Like the Undead that it depicts, the vampire movie never really expires––or even goes away. It just keeps resurrecting itself in new stories for another generation. This season’s blood-sucking entry, geared to teens and young adults, is Twilight […]
Cinemontage sits down with director, Marc Foster. […]
CineMontage talked to four editors of Bond past: John Glen, Terry Rawlings, A.C.E, Michel Arcand and Christian Wagner. […]
Although these occurrences are far from commonplace, they are testament to the talent of these assistants-turned-editors. […]
Analysts — always the first to see material submitted to a studio or network — spend their working lives trolling for their company’s next big hit.
“I thought this would end fast, and I’m shocked that I’m still doing it.” – Mo Henry […]
Now, after years of field-testing pre-release versions of ACES on selected projects, ACES version 1.0 is finally available as, according to the Academy […]
Just as the show itself tells the story of an organized team of spies, agents and heroes on a mission to protect the world, the editorial mission requires a similarly dedicated team. […]
The release of Hancock’s current film, Saving Mr. Banks, which tells the tale of the making of Disney’s famous film, Mary Poppins, puts the spotlight on an unlikely pairing in many respects. […]
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