2024
Cut to Black: Ray Artis, Television Editor
Ray has an eclectic lane of projects from Jazzin at the White House to Jimmy Fallon’s “That’s My Jam!” Please join us in celebrating Ray Artis today! […]
Web Exclusives
Behind the Scenes
Affonso Gonçalves Talks Editing Todd Haynes’ Drama ‘May December’
“I can’t pick sides. That’s the great thing about being an editor.” […]
Features
WHAT OUR MEMBERS DO: Alexis Lain, Assistant VFX Editor
WHERE ARE YOU CURRENTLY EMPLOYED? Universal Studios. CURRENT PROJECTS? I recently finished Paramount’s “Transformers: Rise of the Beasts,” and […]
2024
Cut to Black: Aneesa Meador, Assistant Editor
Horror films have inspired her to look deeper for what can be possible in editing. […]
Web Exclusives
Editors of ‘Jury Duty’ On How They Kept Order in the Court for Amazon’s Reality Series
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
In Memoriam
IN MEMORIAM: Maurice Schell, Supervising Sound Editor, 1937-2023
He spoke of going to see the Fellini film “La Strada” and staying to see it a second time. He had never seen a film like it and it affected him deeply. […]
In Memoriam
IN MEMORIAM: Elisha Birnbaum, Sound One Owner and Career Mentor, 1931-2023
By Stav Birnbaum Elisha Birnbaum, a movie Foley artist turned owner of Sound One — the premier East Coast […]
Web Exclusives
WHAT OUR MEMBERS DO: Ian Lamb, Online Editor
“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving problems in session and on the fly.” […]
Guild
Editors Guild Board Elections: First-Ever Electronic Voting Leads to Huge Participation Gains
By Guild Staff The results are in for the Motion Picture Editors Guild 2024 Board of Directors election – […]
Web Exclusives
Saira Haider Talks Editing on Netflix’s Conspiracy Mystery ‘They Cloned Tyrone’
“I didn’t go to film school with a background in filmmaking at all. I’d never cut anything together. When I got into the editing room, I realized that this was where I was going to learn the most.” […]
