By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
“You’re spending as much time with them as [with] your partner or your wife or your husband.” […]
“Try to be up to date on both Avid and Premiere. I am seeing more and more job postings for Premiere.” […]
“My favorite part of this movie was that it allowed me to play. They handed me all the bells and whistles and said go for it, and find the balance.” […]
Text-Based Editing, empowered by AI, starts by automatically transcribing your source media and generating accurate text transcripts of all the dialogue. By associating names to the different voices, Text-Based Editing will automatically identify who’s speaking. […]
“I was first drawn to film editing because of how similar it felt to writing. It’s the part of the process where you give language to cinema.” […]
“I remember being stunned when I saw the first episodes with the cars floating freeform and the robots without the puppeteers.” […]
“Part of the trick of being an editor involves the politics of being a good soldier while also doing your best to protect the integrity of the cut and doing what you know will work.” […]
“I have always been fascinated with sound in films.” […]
“Ask questions as much as possible.” […]
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