Web Exclusives
Sandra Adair Pieces Together the Editing Behind Richard Linklater’s Hit ‘Hit Man’
“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.” […]
Web Exclusives
Web Exclusives
Sofi Marshall Talks Editing Horror Feature ‘I Saw the TV Glow’
By Patrick Z. McGavin As an undergraduate in the film department at Boston University, Sofi Marshall made a crucial […]
Web Exclusives
WHAT OUR MEMBERS DO: Payton Halbeisen, Assistant Editor
“The more I worked with her, the more I realized it’s possible to make a difference in post-production. She really encouraged me to cut as much as possible and saw the assistants as creative collaborators — which is rare among editors.” […]
Web Exclusives
‘The Jinx’ Redux: Picture Editor Shelby Siegel Recalls Finding the Audio That Sealed the Fate of Robert Durst
“Not every project will have a smoking gun, but you won’t find it if you’re not allowed to look.” […]
Web Exclusives
Franzis Müller Tells How She Tracked Down the Best Cuts in ‘Death and Other Details’
“I’m someone that likes to solve puzzles, or build Legos, that kind of king. The way I view editing is just having a lot of pieces together, with not necessarily a clear vision of what you want from start to finish, but you’re molding and building it for a while, and then you get to the final picture.” […]
Web Exclusives
Legendary Editor Carol Littleton’s Contributions to Film and Labor Celebrated at Hollywood Event
Littleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president of the Editors Guild. […]
Web Exclusives
Spencer Averick Talks Editing the Epic Stories in Ava DuVernay’s ‘Origin’
By Patrick Z. McGavin Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick […]
Web Exclusives
WHAT OUR MEMBERS DO: Elizabeth Berganza Pozzi, Assistant Editor
“‘A Black Lady Sketch Show’ will always hold a special place in my heart because it signified the change in my career path. I was moving from reality/docs to scripted content, and I was proving to myself that I could navigate the workflow. I learned to be more creative and confident with my skillsets.” […]
In Memoriam
IN MEMORIAM: Sue Blainey, Australian-Born Picture Editor on ‘Lost’ and ‘Six Feet Under,’ Dies at 60
“Sue was so smart, and she embraced the beauty of life even in the face of her diagnosis, and I just adored her for that.” […]
Awards
2024 IA/VA: ACE Panel Highlights ‘Oppenheimer,’ ‘The Holdovers,’ Other Best Editing Oscar Nominees
“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.” […]
