Web Exclusives
Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
Web Exclusives
Web Exclusives
WHAT OUR MEMBERS DO: Paul Hackner, Z-2 (Sound Effects or Dialogue Editor)/ Y-1 (Re-Recording Mixer)
“My main advice is to form bonds with your colleagues and mentors. Ask questions, stay in touch, and be vulnerable.” […]
Web Exclusives
Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
Web Exclusives
‘We’re All Storytellers’: Women’s Steering Committee Teams with WGA to Build Bridges in Post
More than 180 people attended in person at the WGAW headquarters in Los Angeles and online via Zoom. […]
Web Exclusives
Get Out the Vote: L700 Workgroup Is Working Hard to Get Labor to Polls for Election Day
By Kristin Marguerite Doidge If there’s one message Local 700’s “Labor-to-the-Polls” workgroup would like to send out to its […]
Web Exclusives
‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
Web Exclusives
‘Tell Me Lies’: Picture Editor Julie Cohen on Finding the Right Cuts for the Twisted Romance
“I do feel like I am an artist-editor, and I found my medium in college.” […]
Web Exclusives
WHAT OUR MEMBERS DO: Anthony Cappellino, Sound Editor
“It can be scary to think about the state of the industry and the livelihood of the professionals in it, but my instinct has always been to lean on the community and to have solidarity in the face of that uncertainty.” […]
Web Exclusives
Cutting Through the Noise: How Toj Mora and Other Deaf Editors Are Giving Hollywood a New Lens
“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.” […]
Web Exclusives
‘Presumed Innocent’ Editor Eleanor Infante On Trailers, Work Relationships and Listening Skills
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
