Littleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president of the Editors Guild. […]
By Patrick Z. McGavin Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick […]
“‘A Black Lady Sketch Show’ will always hold a special place in my heart because it signified the change in my career path. I was moving from reality/docs to scripted content, and I was proving to myself that I could navigate the workflow. I learned to be more creative and confident with my skillsets.” […]
“Sue was so smart, and she embraced the beauty of life even in the face of her diagnosis, and I just adored her for that.” […]
“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.” […]
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
by Kristin Marguerite Doidge Sunday’s 74th Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), brought together […]
“The bulk of our members feel worried that their jobs will be impacted within the next three years by some form of emerging technology, artificial intelligence” as indicated in our local survey, said National Executive Director Cathy Repola. She hailed the creation of the Guild’s Emerging Technology Committee, created by the Board of Directors in 2022. […]
Hollywood’s First Black Story Analyst […]
He strives to be magnificent! […]
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