
WHAT OUR MEMBERS DO: Kira Belin, Music Editor
“In my opinion, it’s a three-dimensional career.” […]
“In my opinion, it’s a three-dimensional career.” […]
“I have always been drawn to storytelling through various mediums, whether it’s through sound or visual media. It was during my time at Berklee College of Music that I delved deeper into the intricate soundscape of film and animation.” […]
“I would love to do some immersive-type sound design or sound editorial for a Disney attraction. That’s been a lifelong dream of mine.”
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“The more I worked with her, the more I realized it’s possible to make a difference in post-production. She really encouraged me to cut as much as possible and saw the assistants as creative collaborators — which is rare among editors.” […]
“‘A Black Lady Sketch Show’ will always hold a special place in my heart because it signified the change in my career path. I was moving from reality/docs to scripted content, and I was proving to myself that I could navigate the workflow. I learned to be more creative and confident with my skillsets.” […]
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
WHERE ARE YOU CURRENTLY EMPLOYED? Universal Studios. CURRENT PROJECTS? I recently finished Paramount’s “Transformers: Rise of the Beasts,” and […]
“It’s a team effort, and together we bring stories to life, creating a memorable auditory experience for the audience.” […]
“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving problems in session and on the fly.” […]
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
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