“‘A Black Lady Sketch Show’ will always hold a special place in my heart because it signified the change in my career path. I was moving from reality/docs to scripted content, and I was proving to myself that I could navigate the workflow. I learned to be more creative and confident with my skillsets.” […]
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
WHERE ARE YOU CURRENTLY EMPLOYED? Universal Studios. CURRENT PROJECTS? I recently finished Paramount’s “Transformers: Rise of the Beasts,” and […]
“It’s a team effort, and together we bring stories to life, creating a memorable auditory experience for the audience.” […]
“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving problems in session and on the fly.” […]
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
“Being part of a union matters. We, as a creative force, matter.” […]
Everything in this industry is about collaboration, and part of my job is to make sure that my editor’s day goes as smoothly as possible. […]
“I’m a film and TV editor with experience in drama, horror, action and comedy.” […]
“Try to be up to date on both Avid and Premiere. I am seeing more and more job postings for Premiere.” […]
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