
Joe Gall, ‘Justice League Unlimited’ Veteran, Talks About Editing Animation the Way It Used to Be
by Greg Condon When Joe Gall began his career editing animated TV shows, the industry was on the cusp […]
by Greg Condon When Joe Gall began his career editing animated TV shows, the industry was on the cusp […]
By Peter Tonguette Daffy Duck and Porky Pig might not sound like the calmest, most congenial, or most coherent […]
“I did not come to Los Angeles to pursue editing; I initially wanted to be a comedy writer.” […]
The Nickelodeon post-production workers not only saw increases and improvements to their sick days, overtime, rest periods, paid time off, and dismissal pay, but many will now see substantial raises ranging from 9% to as high as 70% over the next year. […]
Where are you currently employed? Warner Bros Animation. Current projects? “Merry Little Batman.” Describe your job. My […]
By Betsy McLane Jake Friedman deserves a rousing hurrah for writing “The Disney Revolt: The Great Labor War of Animation’s […]
“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece of paper.” […]
Bento Box Entertainment produces animated series such as “HouseBroken,” “Farzar,” “Paradise PD,” and the forthcoming “Krapopolis.” (Editorial crews on some other Bento Box titles, such as “Bob’s Burgers,” already enjoyed union representation through Bento Box’s partnership with other signatory studios.) […]
“Fate kind of pushed me into it.” […]
“Growing up, I always dreamt of seeing a Latina heroine on TV or in the movies.” […]
©2016-2025 Motion Picture Editors Guild