‘Bohemian Rhapsody’ (edited by John Ottman, ACE) and ‘The Favourite’ (edited by Yorgos Mavropsaridis, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively at the 69th Annual ACE Eddie Awards on February 1. […]
The American Cinema Editors (ACE), the honorary society of the world’s top film editors, has announced nominations for the 69th Annual ACE Eddie Awards, recognizing outstanding editing in 11 categories of film, television and documentaries. […]
‘Welcome to Marwen’ is a Universal Pictures and DreamWorks Pictures feature starring Steve Carell that takes place in the real world, as well as a world populated by dolls. It was released by Universal on December 21. […]
As a youth in Dublin, Ireland, Clare Knight (née De Chenu), ACE, had a decidedly artistic bent. The daughter of a stage actor-turned-architect and a schoolteacher, she dreamt of becoming an artist. […]
There are a lot of reasons why creative media professionals require a display on their desks that is capable of representing highly accurate colors. To start, animators must be confident that color choices will result in final renders that look how they expect them to look. […]
The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in good standing — who have distinguished themselves by their contributions to theatrical motion pictures […]
During production for ‘The Polar Express’ Multiple creative processes, including editing, storyboarding, writing and designing, were occurring simultaneously. […]
I started editing quarter-inch reels of recorded audio sessions, then got bumped up to an assistant working with film on a Moviola. I was surprised by how much I liked it.
What if a gun had a soul? That was the question that was pinned to walls, doors and bulletin boards on the production of The Iron Giant. […]
What’s fascinating about ‘The CG Story’, therefore, is the realization that live action has become more like animation and vice-versa. […]
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