From Musician to Music Editor: The Fortuitous Career of Michael Tronick
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
Screenwriters aren’t the only ones benefitting from the richness of material now playing on cable television, or streaming from Netflix. The complexity of subject matter and shooting styles, previously the domain of theatrical film, are allowing series editors to stretch their legs as well. […]
When Tatiana S. Riegel, A.C.E., set her mind to become a film editor, she went about it with the methodical planning to be expected from the daughter of an astronomy professor. […]
For over two decades, the American Cinema Editors (ACE) has sponsored the ACE Internship Program to help bring motivated individuals into the editing profession. […]
Cutting It in Hollywood: Top Film Editors Share Their Journeys by Mitchell Danton, ACE Introduction by Michael Kahn, ACE Hollywood […]
To be birthed from the world of director Robert Altman and his legendary editor Geraldine Peroni, ACE, is a unique experience for a young editor. […]
Early Saturday morning, February 25, the line stretched around the block from the American Cinematheque’s Egyptian Theatre to attend the 17th Annual Invisible Art/Visible Artists program presented by the American Cinema Editors (ACE). […]
Originally intending to be an actor, Keith Fraase fell in love with behind-the-camera work while at the University of Texas at Austin. Then he thought he wanted to be a cinematographer, but eventually fell into an apprentice editor job. […]
The editing career of Monty DeGraff has been in sync with some of television’s cultural icons. Mentoring younger editors has also become an important focus for him. […]
The Oscar-nominated picture editors convened on the day before the 90th Academy Awards ceremony at the Dolby Theatre — at the 18th annual Invisible Art/Visible Artists program at the American Cinematheque’s Egyptian Theatre. […]
©2016-2021 Motion Picture Editors Guild