Funny Lady Anita Brandt Burgoyne Cuts to the Punchline
CineMontage sat down with Anita Brandt Burgoyne to talk about how she made the transition from assistant to TV to features and how her career led to working with Brooks.
CineMontage sat down with Anita Brandt Burgoyne to talk about how she made the transition from assistant to TV to features and how her career led to working with Brooks.
“I discovered audio post while in school for audio engineering. Having always loved film, it seemed like a perfect fit artistically and, to be honest, a good way to make a living.” […]
I grew up in Santa Clarita during the 1970s. In my early teens, I’d go to work with my dad, Leonard Kroll, who, at the time, was the head of post-production at 20th Century-Fox. […]
“I am incredibly proud to be part of the ‘Chicago Med’ family. They also took a chance on me because I had no scripted experience, but I had a couple of friends there who vouched for me.” […]
‘Welcome to Marwen’ is a Universal Pictures and DreamWorks Pictures feature starring Steve Carell that takes place in the real world, as well as a world populated by dolls. It was released by Universal on December 21. […]
It was the news that the American Cinema Editors (ACE) had selected him for a Career Achievement Award that prompted Richard Marks to revisit his life’s work. […]
Over the course of her long and accomplished career, assistant editor Christy Richmond has attended her share of screenings for studio executives. Sometimes, the higher-ups respond favorably; other times, their reactions are less than what the filmmakers might have expected. […]
Growing up in the small California towns of Norco and Corona, my days were filled with staying active outdoors — hiking, road trips, camping, roller skating and bike rides with my younger siblings. […]
There are not many name directors who are active members of the Motion Picture Editors Guild and still edit. Two-time Oscar nominee Gus Van Sant is one of them. He is back in the editing chair again to co-edit his latest film, “Don’t Worry, He Won’t Get Far on Foot.” […]
When Jacques Gravett, ACE, first started working in television, any talk of diversity in Hollywood was a long way off. The industry was comprised of mainly men, most of them white. […]
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