Web Exclusives
Hank Corwin Talks Editing and Collaboration in ‘Don’t Look Up’
by Rob Feld Hank Corwin followed his college girlfriend to New York as a young man, wanting to be […]
film editing
Web Exclusives
Tanya Swerling Talks About Editing George Clooney’s ‘The Tender Bar’
“The minute I started, I knew I’d found my passion.” […]
Web Exclusives
Sabine Hoffman Talks of Editing a Black and White Journey in Period Drama ‘Passing’
“’Passing’ is a story of many layers—it invites another look, a second viewing, and with every round you notice other aspects.” […]
Web Exclusives
Benjamin Rodriguez Talks Editing Paul Schrader’s ‘The Card Counter’
Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th directorial feature, the explosively original noir comedy “Dog Eat Dog” (2016). […]
Features
Catrin Hedström on Editing the Sequel to the Slasher Classic ‘Candyman’
Hedström’s recent feature “Candyman,” directed by long-time collaborator Nia DaCosta, is a sequel to the 1992 slasher classic. […]
Columns
UNION MADE: Patrick McMahon on His Journey From the Rink to the Cutting Room
Patrick McMahon, ACE, cut many horror/suspense projects, including the original, “A Nightmare On Elm Street.” He’s also edited seven pilots (five of which went to series) and documentaries including HBO’s Emmy Award-winning “Baghdad ER.” […]
Web Exclusives
WHAT OUR MEMBERS DO: Alex Romano, Finishing Editor
“This is a small town and we are sure to work together in the future. If I can do something now that will help you be better now, you’ll be that much better when we meet again.” […]
Features
How Myron Kerstein and His Team Captured the Emotional Highs of ‘In the Heights’
‘In The Heights’ Offers an Emotional Experience – And the Post Team Had to Find Ways to Capture It. […]
Web Exclusives
Mark Yoshikawa Talks of Editing Terrence Malick, Christopher Guest, and the new ‘Reminiscence’
“Over the course of four films with Terry Malick, I spent a lot of time in Austin. To say we were ‘bunkered down’ during the editing process is probably an understatement.” […]
Book Reviews
BOOK REVIEW: ‘Shooting Midnight Cowboy’ Examines a Classic of Late-1960s Cinema
A New Book Looks at the Tortured Creators – and Editing-Room Nightmare – Behind ‘Midnight Cowboy’ […]
