How Myron Kerstein and His Team Captured the Emotional Highs of ‘In the Heights’
‘In The Heights’ Offers an Emotional Experience – And the Post Team Had to Find Ways to Capture It. […]
‘In The Heights’ Offers an Emotional Experience – And the Post Team Had to Find Ways to Capture It. […]
“Over the course of four films with Terry Malick, I spent a lot of time in Austin. To say we were ‘bunkered down’ during the editing process is probably an understatement.” […]
A New Book Looks at the Tortured Creators – and Editing-Room Nightmare – Behind ‘Midnight Cowboy’ […]
Amy Duddleston and her crew went to work recutting what had been shot of all of the seven episodes, taking each one through a director’s and a producer’s cut remotely from home in Los Angeles, considering everything from script changes to pandemic concerns in terms of building larger scenes. “We were very lucky because it shaped the show,” she said. […]
By Peter Tonguette Milton Moses Ginsberg, a pioneering independent film director who maintained a career-long sideline as a picture […]
“Allyson is an extraordinary film editor with the most marvelous sense of musical rhythm that permeates her entire process of cutting and shaping motion picture,” says Mira Nair. […]
Asian American picture editors Chew, Lisa Lassek and William Hoy, ACE, discussed their influences, their careers and the cultural experiences that shaped them during a “Celebrating Asian Pacific Heritage Month” Zoom seminar hosted by Edie Ichioka, ACE, on May 15 and presented by MPEG’s Pan Pacific Asian Steering Committee. The panel also deconstructed examples of their work and offered advice to members in the well-received session. […]
“It’s not about realism after a certain point. It’s about emotional value.” […]
Zack Snyder’s “Army of the Dead,” which Netflix will release in theaters and via streaming on Friday, merges two seemingly irreconcilable genres: the zombie movie and the heist movie. […]
Traditionally, a picture editor was the person snipping celluloid together, writes Anousha Sakoui in The Los Angeles Times. Like many roles in Hollywood, the route into the industry is not clear-cut. Here’s a primer on […]
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