David Lean’s ‘LAWRENCE OF ARABIA’ (1962)
‘Lawrence of Arabia’ resonated far more deeply than anything I had seen to that point. […]
‘Lawrence of Arabia’ resonated far more deeply than anything I had seen to that point. […]
I remembered how the same footage in Brazil was used to portray extreme opposites of emotion, and realized I too could manipulate the footage shot in Reality to better reflect the story we needed to tell. […]
While New York offers a 15 percent tax credit to qualifying productions, New Jersey tops it with a 20 percent tax credit. […]
Da Capo has given us ‘The B List’ with film critics’ picks and observations about “low-budget beauties, genre-bending mavericks and cult classics.” […]
‘Film Editing: The Art of the Expressive’ by Valerie Orpen is a highly theoretical examination of editing as an essential but greatly misunderstood aspect of motion picture production. […]
‘The Lion in Winter’ is probably one of the few perennially popular films from 1968. […]
Comedy, as they say, is all in the timing. Therefore, a comic’s best friend has got to be the film editor. But how does one become a good comedy editor? First, I believe, a person must have a natural instinct for what’s funny. […]
Documentarian Robert J. Flaherty was regarded by the poet e.e. cummings as “a god among men,” an opinion echoed by Orson Welles, who compared Flaherty to the poets Walt Whitman and Henry David Thoreau. […]
I was quite late to the game in discovering my love of cinema. I grew up on a steady diet of Tom and Jerry, old sci-fi shows and MTV videos. […]
Fantasy has had a rather schizophrenic time in Hollywood––one year being the worst possible genre to pour money into unless it’s going straight to video, the next year sweeping the Academy Awards with 11 Oscars. […]
©2016-2021 Motion Picture Editors Guild