
Mike Nichols’ ‘The Graduate’ (1967)
After seeing ‘The Graduate’, I realized that movies could be an art form. […]
After seeing ‘The Graduate’, I realized that movies could be an art form. […]
‘The Manchurian Candidate’ reveals how the two sides of extremism can destroy centrist politics. […]
‘The Third Man’ cleverly uses its Viennese locations to deepen the intrigue; the city itself becomes a character in the film. […]
Body and Soul has remained one of the least dated, most influential films since its release 60 years ago. […]
Persona is Bergman’s meditation on identity, the nature of art, loneliness and the inability of man to ever truly communicate with another. […]
Though not well known, Edwin S. Porter should be regarded as the father of film editing because the basic principles of the craft did not exist before he directed and edited ‘The Life of an American Fireman’. […]
Though Leni Riefenstahl always denied she was a Nazi propagandist. Two recent biographies have unearthed damning evidence that she was a narcissist Nazi diva who legitimized the Nazi ideals of force and physical beauty through the power of her images. […]
The John Ford film proved just as inspirational, and true to the “This Land Is Your Land” philosophy of Guthrie. It is still considered one of the great works of art in international cinema. […]
After dinner, one evening, Mom and Dad asked if I would like to work as a child extra in the new Bud Abbott and Lou Costello movie, Mexican Hayride. […]
CineMontage talked to four editors of Bond past: John Glen, Terry Rawlings, A.C.E, Michel Arcand and Christian Wagner. […]
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